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American Focus > Blog > Culture and Arts > Hyperrealism Meets Queer Futurism at NADA Miami
Culture and Arts

Hyperrealism Meets Queer Futurism at NADA Miami

Last updated: December 4, 2025 11:40 am
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Hyperrealism Meets Queer Futurism at NADA Miami
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Exploring the Intersection of Art and Identity at NADA Miami

This year’s NADA Miami art fair showcased a diverse range of artworks that delved into the themes of queer futurism, ecological awareness, and the emotional significance of everyday objects. One of the standout artists at the event was Miami painter Thomas Bils, whose hyperrealistic paintings captured the existential dread lurking beneath mundane items like a social security card in his piece “Phone Wallet Keys” (2025). Bils’s work challenges viewers to contemplate the fragility of bureaucratic identity and the changing meanings of security in a tumultuous political landscape.


Three paintings by Thomas Bils including “Phone Wallet Keys” (2025).

Reflecting on the destabilized present, other artists at the fair envisioned queer, ecological, and ancestral futures emerging from this instability. Lee Pivnik, a Miami artist, presented his Chimeras series, featuring hybrid creatures adapted for a hostile Florida environment. These creatures serve as symbols of adaptation and resilience in the face of political and ecological challenges.


A work from Lee Pivnik’s Chimeras series.

Debbie Lawson’s sculptural alligator at Sargent Daughters and Maddy Inez’s Fire Follower series also explored themes of ecological endurance and ancestral knowledge. Lawson’s alligator sculpture symbolized the keystone role of this species in South Florida’s ecosystem, while Inez’s clay forms served as metaphors for the resilience and wisdom that emerge from times of crisis.


Ceramic sculptures by Maddy Inez from her Fire Follower series.

At Foundry Seoul, artists Omyo Cho and Hyunhee Doh presented futuristic sculptures that highlighted the potential for life to adapt and evolve in the face of climate change. Jackson Markovic’s Baroque Sunbursts series at Hawkins Headquarters offered a stark vision of a future where nightlife exists only as a mechanical echo of its former self.

See also  In Jasmine Guillory’s ‘Flirting Lessons,’ Black Queer Love Is Given the Romance-Novel Treatment It Deserves

Lightboxes from the Baroque Sunbursts series and the sculpture “Party 4 U” (2025) by Jackson Markovic at the Hawkins Headquarters booth.

Claire Torina’s miniature gallery at Sheet Cake Gallery x Burnaway offered a surreal exploration of scale and domesticity, challenging viewers to reconsider their perceptions of size and significance.


Installation view of work by Claire Torina at the Sheet Cake Gallery x Burnaway booth.

Overall, NADA Miami provided a platform for artists to explore the complexities of identity, resilience, and adaptation in a rapidly changing world. Each artwork offered a unique perspective on the challenges and possibilities of the future, inviting viewers to contemplate their own relationships to the world around them.

TAGGED:FuturismHyperrealismmeetsMiamiNADAQueer
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