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American Focus > Blog > Culture and Arts > Lessons From a Children’s Art Teacher
Culture and Arts

Lessons From a Children’s Art Teacher

Last updated: February 12, 2026 3:35 am
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Lessons From a Children’s Art Teacher
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The art world is constantly evolving, with new exhibitions, artists, and critical discussions emerging every day. In this daily newsletter, we highlight some of the most exciting developments in the art world, from record-breaking attendance at Amy Sherald’s solo show to reflections on teaching art to young children.

Amy Sherald, known for her striking portraits that challenge traditional notions of beauty and representation, recently broke attendance records with her solo show. Her work, including pieces like “Ecclesia (The Meeting of Inheritance and Horizons),” continues to captivate audiences and spark important conversations about identity and art.

In a touching tribute, we also remember artists we lost this week, including Ted Berger, Christopher White, and Hudson Talbott. Their contributions to the art world will not be forgotten, and their legacies will continue to inspire future generations of artists.

One of the standout stories in this newsletter is about Mónica Palma, a Mexican-born, Brooklyn-based artist and educator who shares her experiences teaching art to young children. Palma’s approach to using art as a tool for healing and self-expression is truly inspiring, and her work with children at ICE’s Dilley detention center in Texas showcases the transformative power of art.

In the realm of critical theory, a new exhibition is proving that the often dense and inaccessible subject doesn’t have to be a snooze-fest. “Echo Delay Reverb” explores the influence of French critical theory on American art, drawing inspiration from diasporic thinkers like Frantz Fanon and Aimé Césaire. The exhibition challenges viewers to think critically about the intersection of art, culture, and politics.

See also  What Can History Museums Offer in the Trump Era? 

As we navigate the complexities of the art world, one question that often arises is whether artists should sell their work to patrons whose politics they may disagree with. Paddy Johnson, an art advice columnist, offers insight into this dilemma, reminding artists that they have agency and the power to choose who they sell their work to.

Overall, this newsletter is a testament to the diverse and dynamic nature of the art world. From groundbreaking exhibitions to heartfelt reflections on teaching and loss, the art world continues to inspire, challenge, and provoke thought. Stay tuned for more updates and insights from the ever-evolving world of art and culture.

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