The 76th Berlin Film Festival is coming to a close on Sunday, Feb. 22, but the excitement continues as new deals are being made. One such deal comes from France’s Epicentre Films, which has signed on to produce “Dog Legs” (“Patas de perro”), the latest film from Chilean director Matias Rojas, featuring the talented Alfredo Castro in the lead role.
The film, a collaboration between production companies from Chile, Colombia, and Germany, is inspired by the novel of the same name by renowned Chilean author Carlos Droguett. Set in a remote town in Southern Chile, “Dog Legs” tells the story of Bobi, a young boy born with dog legs, who is hidden away by his family. When a newcomer in town, Carlos, played by Castro, decides to help Bobi integrate into society, he faces opposition and hostility from the townspeople who see him as a madman and the boy as a monster.
Producer Federico DurĂĄn, speaking on behalf of the team, shared that Castro was drawn to the project as he saw it as a reflection of the identity crisis faced by today’s youth. The novel, known for its extreme and influential themes, explores loneliness, psychiatric conditions, and the search for belonging.
Director Rojas expressed his deep connection to the material, emphasizing the relevance of the film in today’s world, where issues of diversity and human rights are at the forefront. He described “Dog Legs” as a reflection on societal constructs of normality and abnormality, and how these constructs can lead to pain, isolation, and violence.
Rojas plans to shoot the film in a way that captures the essence of the story, moving between contemplative moments and visceral scenes. The project has gone through various development stages, including participation in international co-production meetings and film markets, before landing at the Berlinale EFM.
With funding secured from Chile and additional financing expected from the co-producing countries, “Dog Legs” is set to start production in 2027 in Valdivia, Southern Chile. The film promises to be a thought-provoking exploration of identity, hybridity, and resistance, and is eagerly anticipated by fans of Rojas and Castro’s work.
