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American Focus > Blog > Culture and Arts > Please, No More Disaffected White Girls
Culture and Arts

Please, No More Disaffected White Girls

Last updated: March 10, 2026 6:05 pm
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Book Review: A Critical Analysis of Anika Jade Levy’s “Flat Earth”

Anika Jade Levy’s novel “Flat Earth” has been making waves in literary circles, with some praising its unique style and others criticizing its lack of depth. The story follows a girl named Avery, who is vaguely in grad school studying media studies. Her jealousy towards her best friend Frances, an heiress to a shipping empire, sets the stage for a series of events that explore themes of identity, trauma, and disaffection.

The novel is characterized by a detached tone and clipped sentences that offer glimpses into Avery’s world. From keeping her friend’s fishtail braid in a Tupperware container to her complicated relationships with men, Avery’s character is portrayed as numb and lacking introspection. The writing style, while intriguing, often leaves readers feeling disconnected and unengaged.

One of the central themes of “Flat Earth” is the idea of emotional numbness in the face of overwhelming experiences. Avery’s reaction to her sexual assault in high school is portrayed as almost nonchalant, highlighting a sense of desensitization that pervades the narrative. While this may reflect the mood of our time, it also runs the risk of feeling repetitive and tiresome.

The novel is filled with clever observations and cultural references, from Adderall shortages to Instagram ads for freezing eggs. However, these elements often feel shallow and fail to deepen the reader’s understanding of the characters or the world they inhabit. The book seems more interested in showcasing its intelligence than evoking genuine emotion.

Despite its shortcomings, “Flat Earth” attempts to critique the contemporary art world and society’s obsession with irony and detachment. However, it falls short of offering a meaningful reflection on these themes, instead resorting to self-awareness as a way to excuse its own shortcomings. The result is a book that feels self-indulgent and lacking in substance.

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In comparison to other works that explore similar themes, such as Vincenzo Latronico’s “Perfection” and Nella Larsen’s “Quicksand,” “Flat Earth” struggles to rise above its subject matter. While Avery may be a relatable character for some, her portrayal as a dissociated white girl in the art world feels cliched and uninspired.

In conclusion, “Flat Earth” is a novel that falls short of its ambitious goals. While it offers some thought-provoking insights into contemporary malaise and disaffection, it ultimately fails to deliver a compelling narrative or meaningful commentary on its themes. Readers looking for a deeper exploration of these issues may find themselves disappointed by Levy’s navel-gazing and masturbatory approach to storytelling.

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