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Culture and Arts

The Carnegie International Makes Its Mark

Last updated: May 5, 2026 9:05 am
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Artists protest the Met Gala, Iran exits the Venice Biennale, and MoMA’s Duchamp survey leaves us feeling blue.

Hyperallergic

Pittsburgh is a hidden art treasure, as demonstrated by critic Ed Simon. The Carnegie International, the nation’s oldest survey of its kind, showcases works by 61 artists globally in the Steel City, a center apart from the New York and LA art scenes. Delve into his review of this year’s edition, which explores the theme “where the personal is political.”

Following the annual Met Gala, described by a protest sign as a “moral shit show,” an elaborate protest targeting Jeff Bezos took place near the museum entrance, featuring a guerrilla projection on the billionaire’s penthouse. Explore Editor-in-Chief Hakim Bishara’s insights on the Marcel Duchamp exhibition at MoMA, and stay tuned for our coverage of the Venice Biennale later this week!

—Lakshmi Rivera Amin, associate editor


Painting from Khalil Rabah’s 2025 series Making a Right Heart, oil on canvas (photo Ed Simon/Hyperallergic)

The Carnegie International Looks Back at Itself

The 59th edition revives some of the enthusiasm of past exhibitions, offering essential commentary on issues of authoritarianism and militarism. | Ed Simon


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Call for Applications: 2026 Craft Archive Fellowship

The Center for Craft will provide up to four $5,000 fellowships to support research on underrepresented craft histories, resulting in an article on Hyperallergic.

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News

Rise and Resist activists hold up a sign at a protest near the Met Gala on May 4, 2026.
  • A lively protest against Jeff Bezos, the co-chair of this year’s Met Gala, took place near the museum as celebrities arrived at the event last night. On Sunday, projections condemning Amazon illuminated the billionaire’s luxury residence near Madison Square Park.
  • Iran has pulled out of the national pavilion exhibition at the Venice Biennale, which begins previews today.
  • MoMA PS1 is set to host the first United States survey of Mexican artist Teresa Margolles, featuring works addressing grief, violence, and the US-Mexico border.

From Our Critics

New York subway commuters passing by an ad for a Marcel Duchamp exhibition at the Museum of Modern Art (photo Hakim Bishara/Hyperallergic)

I’ve Got the Post-Duchamp Blues

The Marcel Duchamp exhibition at MoMA made me nostalgic for simpler times when “eliminating the artist’s hand” was a route to rediscovering the true self. | Hakim Bishara

Is This What “Made in America” Looks Like?

Christopher Payne’s photographs at Cooper Hewitt bypass issues of economic uncertainty and geopolitical tension to highlight the craftsmanship of factory workers. | Julie Schneider


ICYMI

Sculptures by Manolo Valdés in Piazza San Marco as part of the 2022 Venice Biennale (photo Hrag Vartanian/Hyperallergic)

Hyperallergic’s Guide to the 2026 Venice Biennale

Discover what to see and do at this year’s event, including national pavilions, collateral exhibitions, and noteworthy happenings. | Hrag Vartanian

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