Exploring the concept of Ma in Japanese philosophy reveals the intricate relationship between time and space, showcasing how moments, intervals, and distance shape our perception of the world. The term Ma, meaning “pause” or “gap,” highlights the importance of negative space in art and architecture.
Renowned sculptor En Iwamura, based near Kyoto, incorporates the essence of Ma into his artistic practice, focusing on scale, spatial awareness, and interpersonal connections. According to Iwamura, understanding and creating the right Ma between individuals or environments can establish unique relationships at any given moment.
In his solo exhibition Mask at Ross+Kramer Gallery, Iwamura delves into the cultural, conceptual, and symbolic significance of masks. Drawing inspiration from childhood visits to the National Museum of Ethnology in Osaka, where he encountered masks from various cultures, the artist captures the enigmatic allure and historical roots of these objects.
Masks have held significant roles in diverse societies, often associated with religious ceremonies, festivals, performances, and rituals. In recent times, masks have gained new importance as tools for public health, symbolizing efforts to combat the spread of diseases like COVID-19.
Iwamura’s ceramic sculptures in Mask reflect a blend of historical mask traditions and contemporary relevance. Through playful and introspective pieces, the artist aims to reconnect viewers with a sense of wonder, curiosity, and creativity reminiscent of childhood experiences.
The exhibition features sculptures from Iwamura’s ongoing Neo Jomon series, drawing inspiration from the ancient Jōmon culture in Japan, known for its distinctive pottery styles dating back to 14,000 to 300 B.C.E. Intricate textures, vibrant colors, and soft forms characterize Iwamura’s sculptures, inviting viewers to explore the rich cultural heritage of the Jōmon period.
By allowing his hand-built forms to air dry before adding intricate surface patterns, Iwamura creates textures reminiscent of Zen gardens and traditional cord-marking techniques. The sculptures range in size, from small pieces to larger installations, embodying a sense of meditative introspection and playful exploration.
Through Mask, Iwamura encourages a reconnection with the inner child, inviting audiences to embrace curiosity and creativity in their interactions with art. The exhibition runs until March 26 in New York City, offering a unique blend of ancient traditions and contemporary interpretations in ceramic sculpture.
For more information on En Iwamura’s work, visit his website and Instagram.
