Carven’s Latest Collection Seamlessly Blends Continuity and Innovation
When looking at Carven’s latest collection, it’s difficult to pinpoint where former creative director Louise Trotter’s vision ends and incoming design director Mark Thomas’s begins. The transition between the two appears smooth and cohesive, showcasing a well-considered articulation of continuity. Fans of the brand since Trotter’s arrival in 2023 will appreciate how the new streamlined yet sophisticated silhouettes seamlessly merge with previous seasons.
The collection draws inspiration from women artists such as Agnes Martin, Georgia O’Keeffe, and Celia Paul. While their works may be dissimilar, their styles—both inside and outside the studio—informed the blousy smock tops and wraparound apron shapes featured in the designs. These interpretations are more abstract than literal, and the choice of materials plays a significant role in their execution.
Carven’s signature preference for fabrics that appear structured yet feel soft against the body is evident throughout the collection. From rounded mac coats to lingerie dresses with flannel fronts and crushed linings in the back, the brand continues to uphold its commitment to luxurious materials. The couture-like silk wool looks and intricate knits and cashmere shifts with subtle design details are perfect for those looking to appear polished and put together.
While some pieces, like an ample khaki skirt reminiscent of a tarp pulled off a painting, may be more conceptual than practical, Carven still manages to strike a balance between artistry and wearability. The open-toed satin mules and bedroom slippers paired with ribbed socks may be more suited for indoor wear, but the new minimalist bag named Tommaso offers all-purpose appeal. Pay attention to the gold key ornamenting a belt loop on the crisp and tailored denim, replicated from a key found at Trotter’s first runway show—a symbol of the studio’s legacy that continues under Thomas’s direction.
