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American Focus > Blog > Lifestyle > Max Mara Resort 2026 Collection
Lifestyle

Max Mara Resort 2026 Collection

Last updated: June 17, 2025 6:09 pm
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Max Mara Resort 2026 Collection
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Fantasy and Fashion: Max Mara’s Vesuvian Venus Collection

“We’re in the business of fantasies,” said Ian Griffiths, the creative force behind Max Mara, before the unveiling of his latest collection. With the Bay of Naples as a breathtaking backdrop and Mount Vesuvius looming in the distance, Griffiths set the stage for a show that would transport the audience to a world of Italian glamour and cinematic allure.

The collection, titled Vesuvian Venus, drew inspiration from the iconic Italian style of the 1950s, a time when figures like Sophia Loren and Silvana Mangano captivated audiences with their voluptuous beauty. Griffiths delved into the golden age of Italian cinema, where fashion and fantasy intertwined to create a cultural identity that still resonates today.

As Max Mara celebrates its 75th anniversary, the show at the Royal Palace of Caserta marked the beginning of a milestone celebration. The choice of venue, with its grandeur and history, perfectly complemented the luxurious and nostalgic feel of the collection.

The Vesuvian Venus collection was a tapestry of contrasts and contradictions. Masculine tailoring techniques from Neapolitan artisans were juxtaposed with feminine silhouettes and delicate fabrics. The iconic short-shorts worn by Silvana Mangano in Bitter Rice served as a focal point, symbolizing the clash between tradition and modernity.

Standout pieces included a teddy coat in Neapolitan gelato pink, an ivory rib-knit body embellished with sequins, and a black wool work shirt with a sweetheart neckline. These garments pushed the boundaries of Max Mara’s signature style, blending sophistication with sensuality in a way that only Griffiths could envision.

As Gwyneth Paltrow, a guest at the show, observed, the collection was a reminder of the importance of embracing cultural heritage in a world that often values homogeneity over individuality. In reimagining the glamour of 1950s Italy, Griffiths breathed new life into Max Mara’s storied legacy, creating a collection that was both timeless and of-the-moment.

See also  Where to Watch ‘Conclave’—and How It Compares to the Real-Life Papal Succession Process

With Vesuvian Venus, Ian Griffiths proved once again that fashion is not just about clothes—it’s about dreams, aspirations, and the eternal quest for beauty and self-expression. Max Mara may be in the business of fantasies, but with collections like this one, they are also in the business of creating unforgettable moments that transcend time and place.

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