The article is part of Hyperallergic’s 2025 Pride Month series, shedding light on key moments from New York’s LGBTQ+ art history. The scene at Central Park’s Bethesda Terrace on June 15 was nothing short of enchanting. Amidst the backdrop of the iconic “Angel of the Waters” sculpture, a group of visitors spontaneously engaged in salsa dancing. Tourists captured the moment, creating a picturesque scene against the lush greenery.
Crafted in 1873, the Neoclassical bronze sculpture was a groundbreaking work by Emma Stebbins, the first woman commissioned to create a public artwork in NYC. Stebbins, who was in a committed relationship with the renowned actor Charlotte Cushman, is believed to have modeled the sculpture after her beloved partner. The sculpture, with its angelic wings and flowing robes, exudes a sense of serenity and grace, almost as if it were poised to take flight.
At the dedication of the sculpture, Stebbins drew inspiration from the biblical angel who blessed the waters of Bethesda with healing powers. The sculpture served as a tribute to the Croton Aqueduct, NYC’s first water supply system, which played a crucial role in preventing waterborne diseases like cholera. Stebbins, who hailed from a privileged background, received support from her family in pursuing her artistic endeavors.
Stebbins and Cushman’s relationship, though unconventional for its time, was a source of strength and love for both women. While terms like “gay” or “lesbian” were not commonly used then, their bond was openly acknowledged by Cushman, who referred to Stebbins as her wife. The couple’s love story blossomed in Rome, where Stebbins honed her sculpting skills and created the iconic “Angel of the Waters.”
Despite initial criticism from the public and art critics, the sculpture stands tall as a symbol of healing and hope. Today, it is celebrated as a testament to the resilience and creativity of women and queer artists. The Central Park Conservancy offers a Queer Central Park Tour that highlights the rich history of LGBTQ+ contributions to the city’s public art scene.
In revisiting the story of Emma Stebbins and Charlotte Cushman, we uncover a hidden chapter in NYC’s art history, one marked by love, artistry, and defiance of societal norms. Their legacy reminds us of the diverse voices that have shaped our cultural landscape, often overlooked but deserving of recognition and celebration.
