Lisa Corinne Davis’s exhibition All Shook Up at the now-closed Pamela Salisbury Gallery in Hudson, New York was reviewed five years ago. The exhibition focused on the intricate web of systems and networks that shape our lives. However, there was a sense that the different structural arrangements in Davis’s work did not quite connect with enough force. Fast forward to the present, and Davis’s latest exhibition, Syllogism, at Miles McEnery Gallery, showcases a remarkable evolution in her artistic practice.
In Syllogism, Davis delves deeper into the realm of geometric abstraction, exploring themes of digital systems, algorithms, flow charts, and diagrams that hint at the measurement and prediction of human behavior. Through a unique vocabulary of abstract languages characterized by similar colors and repeating units, such as open grids, geometric shapes, lines, and puzzle-like forms, Davis creates a visual landscape that reflects the complexities of our modern world. Layering one system over another, she creates a dynamic interplay where no single element dominates, resulting in a nuanced and engaging relationship between form and space.
The paintings in Syllogism invite multiple interpretations, drawing viewers into a rich tapestry of narratives. From biographical readings to reflections on technology, politics, and ideology, each painting sparks a multitude of associations and meanings. Titles like “Dogmatic Deceit” add another layer of complexity, inviting viewers to engage with the works on a deeper level. Davis has successfully made geometric abstraction relevant to our rapidly changing society, demonstrating a keen understanding of the complexities and challenges of our times.
One of the standout pieces in the exhibition is “Convulsive Calculation,” a visually striking composition that showcases Davis’s mastery of form and color. The interplay of rectangles, wavy lines, and geometric shapes creates a sense of movement and tension, drawing the viewer into a mesmerizing dance of shapes and colors. The juxtaposition of different elements and colors adds depth and complexity to the composition, inviting viewers to unravel its mysteries and meanings.
In her paradoxical paintings, Davis captures the essence of our information-saturated world, where language, meaning, and power are constantly in flux. The intricate patterns and structures in her work speak to the overwhelming nature of modern life, where chaos and order coexist in a delicate balance. Through her meticulous and thought-provoking compositions, Davis invites us to ponder the complexities of our existence and the ever-shifting nature of reality.
As William Wordsworth once wrote, “The world is too much with us,” a sentiment that resonates strongly in Davis’s work. Through her art, she encourages us to pause, reflect, and contemplate the intricate web of systems and networks that shape our lives. Lisa Corinne Davis: Syllogism is a testament to the power of art to provoke thought, stimulate the imagination, and challenge our perceptions of the world around us.
