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American Focus > Blog > Culture and Arts > The Poetry of van Gogh’s Montmartre Years
Culture and Arts

The Poetry of van Gogh’s Montmartre Years

Last updated: September 23, 2025 9:12 am
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A Fire in His Soul: The Artistic Journey of Vincent van Gogh

Christianity had failed him. What next then? Art?

Vincent van Gogh’s foray into the realm of artistry began falteringly in 1880, yet swiftly escalated into a profound journey that culminated in tragedy when he died by suicide in 1890 at the tender age of 37. This tempestuous life was characterized by both brilliance and turmoil, an existence ultimately extinguished far too early.

A Fire in His Soul: Van Gogh, Paris, and the Making of an Artist, written by Miles J. Unger, serves as an insightful biography interwoven with a critical exploration of van Gogh’s artistic evolution, especially during his transformative years in Montmartre. This biography focuses predominantly on the period from 1886 to 1887, when Vincent shared a cramped flat on the meandering Rue Lepic with his steadfast brother, Theo, a constant source of support.

Why delve into these particular years? Unger posits that this was the time when van Gogh deeply immersed himself in the avant-garde circles of Paris. His interactions with contemporaries such as Toulouse-Lautrec, Emile Bernard, and Gauguin, coupled with the vibrant debates concerning the future of modern art, provided van Gogh with the essential tools to carve out a unique artistic identity for himself. With academicism fading into the background, the quest for what could succeed it became vitally relevant.

Vincent van Gogh, about age 19
Vincent van Gogh, about age 19

During these pivotal years, various art movements clamored for van Gogh’s attention: Impressionism, post-Impressionism, Divisionism, Pointillism, Symbolism, Cloisonnism, Japonisme, and Nabisme, to name a few. Yet, van Gogh’s fiercely individualistic nature meant that he did not readily conform to any single movement. Instead, he artfully extracted elements from these styles, synthesizing a vibrant palette of intense color and the unique texture reminiscent of Japanese prints, thereby crafting an artistic identity that was distinctly his own.

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Unger adeptly navigates the tumultuous debates surrounding art creation during van Gogh’s time. His narrative flows richly, illustrating the complexities of these discussions with a lively and insightful grasp of the social and intellectual milieu. Notably, every writer embarking on van Gogh’s narrative has benefited from his extensive correspondence, which offers a vivid glimpse into his genius and contradictions. Unger’s work is no exception, featuring extensive quotes from these letters that amplify the emotional intensity of van Gogh’s thoughts and ideas.

Vincent van Gogh, Autumn Landscape with Four Trees (1885)
Vincent van Gogh, “Autumn Landscape with Four Trees” (1885)

Complex and oftentimes combative, van Gogh’s personality was equally marked by his passionate work ethic and his fraught relationships with others. Few could navigate his often furious temperament, except for or maybe particularly his supportive younger brother, Theo, who believed in Vincent’s potential brilliance and financially supported him throughout his life.

However, one theme tackled with surprising brevity in Unger’s work is the significance of poetry in van Gogh’s life. Many analyses of van Gogh’s influences tend to spotlight his love for French novels, especially the naturalist writing of Emile Zola. Yet his relationship with poetry—an integral source of his emotional sustenance—remains inadequately explored. Unger notes van Gogh’s painting of a young Belgian poet, titled “The Poet,” but does not delve into its implications or van Gogh’s broader preoccupation with literary creativity, a theme that could have enriched his narrative even further.

Vincent van Gogh, Still Life with Earthenware Pot and Clogs (1884)
Vincent van Gogh, “Still Life with Earthenware Pot and Clogs” (1884)
Vincent van Gogh, The Potato Eaters (1886)
Vincent van Gogh, “The Potato Eaters” (1886)

Ultimately, A Fire in His Soul: Van Gogh, Paris, and the Making of an Artist (2025) by Miles J. Unger, published by Pegasus Books, is a compelling examination of how a young, troubled soul transformed his pain into a body of work that continues to resonate even today. The book is available for purchase both online and in stores, offering both art enthusiasts and casual readers alike a chance to explore the kaleidoscopic journey of one of history’s most enigmatic artists.

See also  Eliminating Waste, Fraud, and Abuse in Medicaid My Administration has been relentlessly committed to rooting out waste, fraud, and abuse in Government programs to preserve and protect them for those who rely most on them. The Medicaid program was designed to be a program to compassionately provide taxpayer dollars to healthcare providers who offer care to the most vulnerable Americans. To keep payments reasonable, billable costs for such care were historically capped at the same level that healthcare providers could receive from Medicare. The State and Federal Governments jointly shared this cost burden to ensure those of lesser means did not go untreated. Under the Biden Administration, States and healthcare providers were permitted to game the system. For example, States "taxed" healthcare providers, but sent the same money back to them in the form of a "Medicaid payment," which automatically unlocked for healthcare providers an additional "burden-sharing" payment from the Federal Government. Through this gimmick, the State could avoid contributing money toward Medicaid services, meaning the State no longer had a reason to be prudent in the amount of reimbursement provided. Instead of paying Medicare rates, many States that utilize these arrangements now pay the same healthcare providers almost three times the Medicare amount, a practice encouraged by the Biden Administration. These State Directed Payments have rapidly accelerated, quadrupling in magnitude over the last 4 years and reaching $110 billion in 2024 alone. This trajectory threatens the Federal Treasury and Medicaid's long-term stability, and the imbalance between Medicaid and Medicare patients threatens to jeopardize access to care for our seniors. I pledged to protect and improve these important Government healthcare programs for those that rely on them. Seniors on Medicare and Medicaid recipients both deserve access to quality care in a system free from the fraud, waste, and abuse, that enriches the unscrupulous and jeopardizes the programs themselves. We will take action to continue to love and cherish the Medicare and Medicaid programs to ensure they are preserved for those who need them most. The Secretary of Health and Human Services shall therefore take appropriate action to eliminate waste, fraud, and abuse in Medicaid, including by ensuring Medicaid payments rates are not higher than Medicare, to the extent permitted by applicable law. This memorandum is not intended to, and does not, create any right or benefit, substantive or procedural, enforceable at law or in equity by any party against the United States, its departments, agencies, or entities, its officers, employees, or agents, or any other person. DONALD J. TRUMP

A Fire in His Soul: Van Gogh, Paris, and the Making of an Artist is available now.

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