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American Focus > Blog > Culture and Arts > An Absurd Take on Masahisa Fukase’s Darkness
Culture and Arts

An Absurd Take on Masahisa Fukase’s Darkness

Last updated: July 18, 2025 1:55 pm
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An Absurd Take on Masahisa Fukase’s Darkness
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Masahisa Fukase, one of Japan’s most revered photographers, is best known for his iconic black and white masterpiece “Ravens” (1986). This magnum opus, where he portrays himself as the ominous black bird, showcases just one facet of his bold and multifaceted career. Fukase delved into various themes and subjects, from capturing his wife in a slaughterhouse to photographing himself in vulnerable moments, such as in the tub. His autobiographical approach set him apart from his contemporaries like Daido Moriyama and Nobuyoshi Araki, as he chose to expose himself to others through his work.

Decades after a tragic accident left Fukase comatose and eventually led to his passing in 2012, his legacy still looms large in Japan. Nami, the bar in Shinjuku where he suffered his fall, pays tribute to him by displaying one of his raven photos on its walls. This year has seen a resurgence of interest in Fukase’s work, thanks in part to a new biopic titled “Ravens” (2024), starring Tadanobu Asano.

While the premise of a film exploring the enigmatic artist’s life seems promising, director Mark Gill’s decision to introduce an anthropomorphic raven as a central character is met with criticism. This fantastical element, depicting a bird-like figure whispering malevolent urges to a young Fukase, detracts from the complexity of the artist’s real-life struggles with mental health and personal demons. The film’s portrayal of Fukase’s turbulent relationships, particularly with his wife and father, delves into the roots of his insecurities and artistic drive.

Despite the film’s missteps, it sheds light on Fukase’s tumultuous journey and the influences that shaped his artistry. From his tumultuous marriage to his aspirations to break free from his father’s shadow, “Ravens” offers a glimpse into the inner turmoil of a brilliant yet troubled soul. Fukase’s story serves as a testament to the complexities of the human experience, showcasing how personal struggles and relationships can intertwine with artistic expression.

See also  The Darkness of Thomas Kinkade, Painter of Light

“Ravens” (2024) is currently being showcased at the New York Asian Film Festival, inviting audiences to delve into the life and artistry of Masahisa Fukase. The film’s exploration of love, loss, and the darker aspects of the human psyche resonates with viewers, offering a poignant reflection on the legacy of a legendary photographer.

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