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American Focus > Blog > Culture and Arts > Annie Leibovitz Shoots Fifty Shades of Anne Hathaway 
Culture and Arts

Annie Leibovitz Shoots Fifty Shades of Anne Hathaway 

Last updated: July 11, 2025 8:40 pm
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Annie Leibovitz Shoots Fifty Shades of Anne Hathaway 
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As an artist and a woman, aging can bring a newfound sense of confidence and mastery in one’s craft. However, recent controversy surrounding photographer Annie Leibovitz’s Vogue cover shoot with actor Anne Hathaway for her upcoming film Mother Mary has sparked criticism over the technical execution of the images.

The preview images released on Vogue’s Instagram ahead of the August issue’s release featured Hathaway in Givenchy attire, posing in front of iconic paintings by John Singer Sargent and Franz Kline. While the art references were well-done and Hathaway’s expressions captured the essence of the subjects, the lighting in the foreground clashed with the background, creating an unbalanced and unnatural effect.

Fashion enthusiasts and digital creators took to social media to express their disappointment in the editing and color grading of the images. Comments ranged from questioning the competency of the colorist to suggesting that Leibovitz needed to retire due to the poor lighting choices.

Despite the criticism, there were also supporters of the images who appreciated the artistic vision and Hathaway’s beauty. As a woman of a certain age, Hathaway’s self-reinvention and carefree attitude resonated with many, even though the technical aspects of the photos were lacking.

In one particular image from the Sargent shoot, Hathaway was seen wearing a top adorned with oversized gemstones, creating a jarring and discordant visual effect. The harsh lighting reflected off the gemstones and cast shadows on the paintings behind her, further highlighting the technical flaws in the composition.

While the photos may not have met the expectations of some viewers, it is important to remember that art is subjective, and beauty standards vary. Hathaway’s refusal to conform to traditional norms of beauty and expression should be celebrated, even if it means embracing imperfections and unconventional choices.

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In conclusion, the controversy surrounding the Vogue cover shoot serves as a reminder that art is open to interpretation and critique. Despite the technical shortcomings, Hathaway’s boldness and Leibovitz’s artistic vision should be commended for pushing boundaries and challenging conventional standards of beauty and photography.

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