Chloë Bass, a contemporary artist, has a unique approach to her work that involves observing people and using emotions as her medium. In her solo exhibition titled “Twice Seen” at Alexander Gray Associates, Bass explores the complexities of race and social performance through two main works: “we turn to time” and “PRETEXTS.”
In “PRETEXTS,” Bass presents three text-engraved mirrors that challenge viewers to reflect on the dehumanization of individuals throughout history, particularly within the context of mixed-race identities. The words inscribed on the mirrors evoke a sense of capturing moments and the accumulation of memories, urging us to resist objectifying ourselves and others.
In “we turn to time,” a multi-channel video installation, Bass showcases everyday scenes from mixed-race families, highlighting moments of joy, connection, and shared experiences. The fragmented nature of the installation mirrors the fleeting nature of memories, prompting viewers to cherish the moments they capture.
Bass’s work is a poignant exploration of identity, memory, and the social dynamics that shape our emotional lives. By inviting viewers to engage with their own emotions and memories, she challenges us to reconsider how we perceive ourselves and others in a world filled with complex narratives and histories.
“Chloë Bass: Twice Seen” is a thought-provoking exhibition that encourages viewers to slow down, reflect, and connect with the emotions and stories that shape our individual and collective experiences. It is a reminder of the power of art to evoke empathy, understanding, and introspection in a fast-paced world.
