Inspired by real events that have galvanized a global movement, Dolores Fonzi makes her directorial return with her latest film, “Belén”. The narrative centers on Julieta, a young woman imprisoned after a miscarriage, and Soledad Deza (portrayed by Fonzi), the courageous attorney who champions her controversial case against a backdrop of high societal stakes.
Produced by K&S Films, the same company responsible for the Oscar-nominated hit “Wild Tales” and the international success “The Eternaut,” “Belén” unfolds in Tucumán, an Argentine province known for its conservative values. The trial of Julieta signifies a crucial moment in the ongoing struggle for women’s rights, with her story and others like it influencing the evolution of reproductive rights legislation across Argentina.
As Soledad navigates a legal landscape steeped in corruption and patriarchal norms, Julieta’s plight triggers widespread outrage and solidarity, sparking a powerful movement advocating for justice. To preserve her identity, Julieta is referred to as Belén.
Drawing from the book “We Are Belén” by Ana Correa, this intense legal drama serves both as a critique of systemic injustices and as a celebration of resilience and sisterhood.
Fonzi’s connection to this project took root years ago during the international movement advocating for Belén’s release. She recalls a pivotal moment: “As an actress and human rights advocate, I learned about Belén’s plight. During an award ceremony, I displayed a sign reading ‘Freedom for Belén’ which gained international media attention and sparked a significant global response.”
Following her speech, a producer expressed interest in Belén’s story, leading to the acquisition of rights to a book about her experiences and the development of a screenplay, with Fonzi envisioned as the lawyer.
Leticia Cristi from K & S Films extended the opportunity for Fonzi to not only act but also to direct the film. “Leticia proposed the chance for me to direct and write the film, and I couldn’t refuse. I had been following Belén’s story for so long that it all felt like a perfect fit. While it was a commissioned work, it felt deeply personal because of my long-term involvement with the story.”
This marks Fonzi’s second venture at the prestigious San Sebastián Film Festival, following her directorial debut with “Blondi.” The festival commenced on September 19 and wraps on September 27, with “Belén” debuting on September 23, competing alongside other notable films for the coveted Golden Shell.
Fonzi reflects on the significance of the San Sebastián festival: “The festival has consistently been supportive of Latin American narratives, fostering genuine engagement with the issues we face. Director Jose Luis Rebordinos has championed Argentine cinema immensely, allowing us moments to shine a light on our struggles.”
Discussing the challenges of self-direction, she asserts, “I’m fortunate to have a supportive team, and I collaborate closely with my friend Ezequiel Díaz, who serves as my voice and eyes on set. He was instrumental in my previous work on ‘Blondi’ and continued to be vital on ‘Belén.’”
In addition to her directorial endeavors, Fonzi has been tirelessly working as an actor, stating, “For two years straight, I’ve not had a day off. After filming in Italy, revising a script, and working on ‘The House of the Spirits’ in Chile, I managed to fit in this film before returning to Chile again. I intend to slow down next year to focus on writing and smaller projects.”
“Belén” is set to leave an impactful mark at the San Sebastián Film Festival and beyond, heralding a crucial conversation about women’s rights and justice within the societal structure.
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