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American Focus > Blog > Culture and Arts > How a Gauguin Painting Went From Real, to Lost, to Fake
Culture and Arts

How a Gauguin Painting Went From Real, to Lost, to Fake

Last updated: September 29, 2024 5:30 pm
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How a Gauguin Painting Went From Real, to Lost, to Fake
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The story of the disappearance and reappearance of a Gauguin painting titled “Flowers and Fruit” is a fascinating tale that highlights the complexities of provenance research, authenticity, and the art market. The painting, once owned by American heiress Eila Haggin McKee, was believed to be lost for nearly 90 years before it was rediscovered in 2018.

Stephanie Brown’s book, “The Case of the Disappearing Gauguin: A Study of Authenticity and the Art Market,” delves into the mystery surrounding the painting’s authenticity and the intricate web of relationships that surrounded its creation and acquisition. From Gauguin’s nomadic lifestyle to the opaque nature of art dealing in the early 20th century, Brown uncovers a story full of unexpected twists and turns.

Despite being deemed inauthentic by the Wildenstein Institute, “Flowers and Fruit” still remains a compelling piece of art with a rich history. Its connection to artist Paul Gauguin, its mysterious inscription to “the friend Roy,” and its journey through various auctions and collections all add to its mystique.

The painting’s removal from public view at the Haggin Museum in 2018 raised questions about its legitimacy and sparked debates about what defines authenticity in the art world. Brown’s research prompts us to consider who holds the power to determine authenticity, how provenance research can be biased, and whether the location of a painting impacts its perceived value.

As the painting prepares to return to the museum galleries alongside another Gauguin still life, “Still Life with Quimper Pitcher,” Brown’s book serves as a reminder of the ever-evolving nature of art authentication and the complex interplay between art, culture, and identity. While the story of “Flowers and Fruit” continues to unfold, it serves as a compelling case study in the intricate world of art market dynamics.

See also  Ala Younis: How to “Retrospective” an Artist-Curator-Researcher-Publisher?

For those interested in delving deeper into the case of the disappearing Gauguin, Stephanie Brown’s book is a must-read. Available for purchase online and in bookstores, it offers a thought-provoking exploration of authenticity and the art market that will appeal to art enthusiasts and mystery lovers alike.

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