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American Focus > Blog > Culture and Arts > In Miniature Models, Thomas Doyle Envisions an Unsettling Future of Technological Takeover — Colossal
Culture and Arts

In Miniature Models, Thomas Doyle Envisions an Unsettling Future of Technological Takeover — Colossal

Last updated: July 29, 2025 3:30 pm
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In Miniature Models, Thomas Doyle Envisions an Unsettling Future of Technological Takeover — Colossal
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Imagining the future can be both fascinating and unnerving, especially when considering how technology will shape our culture in the coming centuries. Artist Thomas Doyle takes us on a thought-provoking journey with his new series, “Clear History,” which explores a dystopian vision of the future through miniature sculptures.

Working at a scale of 1:43 and smaller, Doyle’s sculptures evoke classical Greek and Roman statues but with a modern twist. In “Clickthrough rate,” a woman’s head is pierced by sharp rays, symbolizing the overwhelming influence of technology. Meanwhile, “Opt in” depicts a hunched figure, reflecting the posture many of us adopt while engaging with digital devices.

a miniature figure looks up at an antique statue with a device strapped to her face
“Infinite scroll” (2024), mixed media, 22 x 13.8 x 13.8 centimeters

Doyle’s work delves into the consequences of our current technological obsession by examining how today’s culture may be perceived in the future. He reflects on the ways in which past civilizations have shaped our present and how our current actions will influence generations to come.

Displayed at the Ukrainian National Museum in Chicago, Doyle’s sculptures invite viewers to contemplate the evolution of technology and its impact on society. Through his art, he poses questions about the legacy we are creating and the symbols that may define our future.

For a closer look at Doyle’s intricate creations and his creative process, you can follow him on Instagram here.

a miniature person sitting at the base of a figurative statue whose face melds into a phone
“Acceptance criteria” (2024), mixed media, 21 x 15 x 15 centimeters

See also  In 'Fictional Nature,' Fabian Knecht Encloses Live Trees and Craggy Stones in a White Cube Gallery — Colossal
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