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Culture and Arts

Jimothy, Meme and Muse

Last updated: July 22, 2026 4:45 am
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Jimothy, Meme and Muse
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Sabri Sundos, a Palestinian-American artist, takes an unconventional approach to portraiture—he doesn’t simply paint people; he “discovers” them. His journey into the visual arts took a significant turn in 2018 while designing an album cover for his music. Since then, Sundos has passionately pursued a series of paintings and tatreez embroidery projects, all centered around themes of Palestinian memory, freedom, and identity. Samantha Jensen interviews the artist, delving into how his work serves as a heartfelt tribute to the diaspora, capturing the coexistence of sorrow and beauty.

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NewsFeaturesFrom Our CriticsMember CommentFrom the Archive

In other news, the Art Institute of Chicago’s decision to outsource its entire custodial staff to an independent contractor has sparked protests from union workers. Staff Writer Rhea Nayyar has also curated a selection of memes and artworks inspired by Seattle’s cherished raccoon, Jimothy, offering a lighthearted break in an otherwise somber news cycle.

Additionally, readers can look forward to a new publication featuring Helen Levitt’s cherished photographs of New York City in the 1940s.

—Lakshmi Rivera Amin, associate editor



Sabri Sundos Faces Catastrophe With Flowers

“It’s the one thing in the world that is just there to make things beautiful,” says Palestinian-American artist Sabri Sundos about flowers. This motif is prevalent in his solo exhibition, Chasing Flowers, at Fisk Gallery in Portland, Oregon. Here, dancing figures and floral forms are used to delve into concepts of freedom, longing, and Palestinian diasporic identity.

Painting is a relatively new chapter in Sundos’ artistic journey. Prior to embracing visual art in 2018, the Brooklyn-based artist devoted years to music, touring, and performing, eventually picking up a paintbrush while designing an album cover. | Samantha Jensen

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News


  • The Art Institute of Chicago plans to transfer its in-house custodial workforce to a private contractor in August, drawing outcry from unionized workers.

Features


How Jimothy the Raccoon Became a Hero of the Misfits

The short-spined Seattle animal with an unfettered spirit has been honored in fan art, tattoos, and murals. | Rhea Nayyar

Read More


From Our Critics


Helen Levitt Captured the Poetry of New York City

A new survey publication serves as a testament to the photographer’s belief that the city’s working-class communities of color possessed a beauty and drama all their own. | Natalie Weis

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SVA Grads Make Art out of History’s Rubble

The Art Practice MFA thesis exhibition rewrites what came before, pushing back against harmful systems and inventing better ways of living together. | Julie Schneider

Read More


Member Comment

“Forsaking her preoccupation with perfection for improvisation and the loss of control,” an oft sought avenue we so wish we could “perfect” giving us that wonderful sense of creative freedom. After all, art is purely a reflection of our search for expression.

Butch Murphy on “The Sunflower Effect of Kyung-Me”


From the Archive


The Comedians Who Helped Define Generation X

In the early ’90s, the Kids in the Hall transgressed boundaries of propriety, gender, sexuality, even species as an alternative to binary thinking. | Natalie Haddad

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