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American Focus > Blog > Culture and Arts > Michaelina Wautier’s Overdue Triumph
Culture and Arts

Michaelina Wautier’s Overdue Triumph

Last updated: April 15, 2026 6:11 am
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Daily Newsletter

The Guggenheim Fellowship has announced 223 winners, while CUNY’s Social Practice program is set to close. Are art fairs essential this spring?

Hyperallergic

With the approach of art fair season, mixed feelings are common. In the latest Art Problems, Paddy Johnson explores the dilemma many artists face: Is attending art fairs necessary?

Today, we also feature an interview with Diné shepherd and artist Nikyle Begay, who is on a mission to revive undervalued weaving patterns and support ancestral Navajo Charro flocks. Additionally, we cover the artists and art workers included in this year’s Guggenheim Fellowship, the planned closure of CUNY’s cherished Social Practice art program, and long-overdue recognition for the Flemish Baroque painter Michaelina Wautier.

We invite you to join us today from 3–4pm EDT for a discussion with Senior Editor Valentina Di Liscia and MacArthur “Genius Grant” recipient Tonika Lewis Johnson, whose art confronts racial segregation by involving entire communities. Become a Hyperallergic Member to participate in the event!

—Lakshmi Rivera Amin, associate editor


Art Problems: Do I Need to Go to Art Fairs?

Paddy Johnson weighs in on whether the cost and physical strain of attending art fairs are justified.


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Vilcek Foundation to Award $200,000 in Grants to Nonprofits Uplifting Immigrant Contributions

Nonprofit organizations aligned with this mission in the arts and sciences are invited to apply by April 30, 2026.

Learn more


News

Lizbeth De La Cruz Santana created Deported Veterans: An Immersive Exhibit and Mural Project as a 2024–25 SPCUNY Faculty Fellow. (photo courtesy SPCUNY and Lizbeth De La Cruz Santana)

A Closer Look

Nikyle Begay with their loom (courtesy the artist)

Nikyle Begay Resurrects Century-Old Diné Weavings

Artist and shepherd Nikyle Begay revitalizes Native weaving traditions that have been marginalized. | Moonoka Begay, Zach Feuer

See also  Pemex plan disappoints suppliers awaiting billions in overdue payments

40 Years Later, Houston’s FotoFest Keeps Its Edge

The anniversary retrospective of this photography festival reflects its enduring spirit of freedom and global engagement. | Julia Curl


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Paul Klee: Other Possible Worlds

This is the first U.S. museum exhibition to concentrate on Klee’s late work, produced in reaction to the 1930s fascism. It will be at the Jewish Museum until July 26, 2026.

Learn more


From Our Critics

Michaelina Wautier, “Self-portrait” (circa 1650) (courtesy the Royal Academy of Arts)

Michaelina Wautier Finally Known by Her Name

Although successful in her lifetime, Michaelina Wautier’s works were long misattributed. | Olivia McEwan


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Tonika Lewis Johnson: Segregation and How to Disrupt It

Join us on April 15 for a dialogue with social justice artist and MacArthur “Genius Grant” winner Tonika Lewis Johnson, alongside Hyperallergic Senior Editor Valentina Di Liscia.

Register now


Sandy Sanders on Hakim Bishara’s “Ai Weiwei and the Art of Keeping Your Mouth Shut”:

The censorship of an artist like Ai Weiwei highlights the prevailing fear of open expression and dialogue. His father suffered torture and exile under authoritarian communism, and now Ai faces censorship from a capitalist culture prioritizing image over truth. At this critical juncture in civilization, it is crucial to continue speaking truth to power without succumbing to the fear of losing status or employment. Clarity and honesty in expression have never been more vital.


From the Archive

Michaelina Wautier, “Triumph of Bacchus” (ca. 1643–1659)(All images courtesy Museum aan de Stroom)

The Criminally Overlooked Talent of Baroque Painter Michaelina Wautier

Michaelina Wautier’s talent rivaled that of her celebrated male contemporaries, such as Rubens and Van Dyck. | Olivia McEwan

See also  Widespread Acclaim for President Trump’s Diplomatic Triumph

Contents
NewsA Closer LookFrom Our CriticsFrom the Archive
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