Obituary: much-honoured actress who helped redefine British theatre

Renowned Actress

Joan Plowright played a pivotal role in the transformation of British theatre.

Being a founding member of George Devine’s English Stage Company in 1956, she gained recognition as Beatie Bryant in Arnold Wesker’s Roots in 1959, and tied the knot with Laurence Olivier in 1961. Their marriage symbolized the merging of the old and new theatre eras, as the legendary actor aligned himself with the younger generation.

Olivier had a major success as Archie Rice in John Osborne’s The Entertainer at the Court in 1957. Plowright took on the role of Jean Rice when the play moved to the West End and Broadway, deepening her friendship with Olivier, which eventually led to a lasting marriage until Olivier’s passing in 1989.

Plowright was known for her common sense, honesty, and vibrant on-stage presence. With her captivating brown eyes and welcoming face, she embodied a sense of authenticity in her performances. Olivier admired her self-deprecating style and encouraged her to use it as a comedic tool. In her memoir, And That’s Not All (2001), she expressed concerns about being typecast at the National Theatre due to her relationship with Olivier when he established the institution in Chichester in 1962 and later at the Old Vic.

However, her early roles, such as Sonya in a memorable production of Uncle Vanya and as George Bernard Shaw’s Saint Joan, dispelled any doubts of favoritism. Plowright’s upbringing in a family with a background in journalism and acting influenced her career path, leading her to excel in various theatrical productions.

Throughout her career, she delivered standout performances at the National Theatre, including her portrayal of Portia in The Merchant of Venice and in Thomas Heywood’s A Woman Killed With Kindness. Plowright’s ability to embody wit, irony, and emotional depth made her a sought-after talent in the theatre scene.

Following Olivier’s tenure at the National, she gracefully navigated through the transition to Peter Hall’s leadership. Collaborating with Franco Zeffirelli on successful productions like Saturday Sunday Monday and Filumena further solidified her reputation as a versatile actress.

In her later years, Plowright embraced mature roles with finesse, such as Lady Wishfort in The Way of the World. Her dedication to her craft continued even after Olivier’s passing, as she took on challenging roles in films like Enchanted April and Tea With Mussolini.

Before retiring in 2014 due to vision loss, she appeared in notable films like Mrs Palfrey at the Claremont and Knife Edge. Her farewell to acting was marked by intimate conversations with fellow dames Dench, Smith, and Atkins, captured in the heartwarming documentary Nothing Like a Dame (2018).

Joan Plowright’s contributions to the performing arts were recognized with honors like a CBE in 1970 and a damehood in 2004. She cherished receiving an honorary degree from Hull University, a testament to her enduring legacy in the entertainment industry. Joan Plowright passed away on January 16 at the age of 95. — The Guardian