Photography and Words by Izzy El Nems & Julian Jackson
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“When we first began to capture images, we weren’t focused on trends; there was simply an instinct, a compulsion to express ourselves authentically. If there was any aspiration, it was to encapsulate shards of reality in an era that often seems disconnected from truth.
— to carve out authentic reflections in a world resistant to such realities, surrendered to misconceptions, where standards of beauty lose significance behind the illusions of the digital era—a realm where trivialities become dreadfully significant. The age of algorithms.
Art embodies the pursuit of perfection without the burden of defining it.
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From Stockholm to Antwerp, then Paris, culminating on a tranquil island in Sweden. Photos subjected to X-ray machines, hoping for a hand inspection, laughter intermingled with tears—the water was chilly, yet the atmosphere was vibrant. Stockholm offered superb beer and commendable wine—possibly the best duck ragout I’ve ever tasted. A quick 24-hour stay in Antwerp set me up for a bed and breakfast, but I missed breakfast. I wandered through the Dries Van Noten office and enjoyed more delightful wine. The train journey to Paris coincided with the hottest day of the year, yet I still indulged in escargot. Much love to you, Emma. Finally, a small plane back to Sweden encountered turbulence, with a ferry traversing the archipelago, arriving at Angsö—an island untouched by roads or cars, just pristine nature paired with more fine wine.
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We lounged and shared cigarettes for hours, as if our collective existence was paramount. In many ways, it was—each of us mattered deeply in our own way, with the fragrance of Dries and a touch of opium-infused sweat lingering in the air, embodying an air of daring authenticity. Unaware of our identities or aspirations, we surrendered to a natural, whimsical defiance and became the essence of our generation.
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The essence of a moment is forever intertwined with photography—take a photo, it lasts longer. Photos serve as temporal bookmarks and exist in that fleeting space. When you press the shutter, you capture something that exists momentarily and is almost experienced in reverse. A representation of reality or a mere echo of a dream. Do any of us truly care?
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Complete Dries Van Noten ensemble featuring an embellished beaded skirt, top, and elegant open-toe red leather mules.
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The very moment exists solely in imagination, in that fleeting instant of capturing an image. Its interpretation shifts amongst the photographer, the subject, and the viewer—every individual brings their unique perspective to it. Yet the essence of that moment resides within the image, truly belonging to it.
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To capture and then seemingly abandon the scene (only to validate it later) is to pursue an elusive dream—a thought enmeshed in dialogue, an image wrapped in cognition. I contemplate how to present an experience to the viewer that mirrors the intricacies of an individual’s thoughts. Each person is their own universe, with its own center.
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In the realm of art, occurrences are brought forth through representation. In Plato’s dialogues via Socrates, there’s mention of the couch: God creates its flawless form, the carpenter constructs it, the painter imitates the carpenter. With each layer, we drift further from authenticity. And in fashion, when style merely mimics, severed from the individual, what is it truly? A portrayal of reality or a vestige of dreams? Does it truly matter?
To me, the most grievous fashion faux pas is perhaps this—standing before a mirror and failing to see one’s true self.
I hope these images evoke the complete opposite of that.
— for my modern-day visionaries.”
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Dries Van Noten denim, vintage Jimmy Choo high heel leather boots with a bow on the back, and a worn-out H&M t-shirt from seven years ago that really should be discarded.
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Dries Van Noten SS25 silver jeans—his last collection before his return—and our cherished Dsquared2 corduroy cap from the 2004 runway, worn by both Julian and me.
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A treasured vintage 1920s sailor dress passed down from a beloved friend of my mother, gifted to me a couple of years back. Barefoot.
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About the artists:
“Our creations are a collaborative effort—just the two of us. It’s a voyage, a chance to observe and appreciate the unfiltered beauty of everyday life through our unique perspectives. The synergy between director and photographer infuses each photograph with a narrative and sense of location.”
Iza El Nems,
Julian Jackson
 
					
 
			 
                                 
                             