Pauline Dujancourt: From Votive Wish to Fashion Designer
Ten years ago, during a trip to Japan, Pauline Dujancourt was captivated by the ema tradition of tying votive wishes and prayers outside temples. Despite not wanting to be disrespectful, she couldn’t resist writing her own wish in her notebook: “I wish to be a fashion designer.”
Today, she has turned that wish into reality by channeling her love for knitwear and crochet into a unique and poetic art form.
Her debut live presentation at London Fashion Week was a conceptual homage to the moment that set her on this path. Since then, she has become a finalist for the prestigious LVMH Prize and garnered orders from top boutiques and luxury stores.
Models draped in her delicate collection of dresses, cardigan-jackets, and skirts moved gracefully, participating in a ritual of tying small strips of text to a large knitted net. This ritual beautifully conveyed the sensual allure of Dujancourt’s signature style: ethereal creations in cream and soft lichen green, crafted from fine yarns, draped fabrics, organza ribbons, and intricate bow-fastenings.
Hailing from France, Dujancourt honed her craft at the École Duperré School of Applied Arts in Paris before gaining experience as a knitwear designer at esteemed fashion houses. She further honed her skills at Central Saint Martins, solidifying her place among London’s creative female designers who each bring their own unique perspective on female empowerment and aesthetics.
What sets Dujancourt apart is her commitment to ethical and sustainable practices. She collaborates with a collective of female hand-knitters and crochet specialists in Lima, Peru, as well as artisans in France and the UK. This dedication to craftsmanship and community adds an extra layer of beauty to her gentle aesthetics.
