Painter and printmaker Tony Bechara, a prominent figure in New York City’s art scene, passed away at his home on his 83rd birthday. His death was announced by Lisson Gallery, where his solo exhibition was held last January.
Bechara, known for his 50-year art practice that combined spontaneity with precision, was a strong supporter of underrepresented artists, including Carmen Herrera and Leon Polk Smith. He was also a vocal advocate for Latinx arts and institutions like El Museo del Barrio.
Born in Puerto Rico in 1942, Bechara initially pursued a law degree at Georgetown University before discovering his passion for painting in Paris. He then studied at the School of Visual Arts in Manhattan, where he developed a unique painting technique characterized by controlled chaos and vibrant colors.
In addition to his art, Bechara played a significant role in New York’s Latinx and Latin American arts community, serving on the boards of various arts organizations. He was particularly involved with El Museo del Barrio, where he served as board chairman for 15 years and donated $1 million to the institution in 2018.
Throughout his career, Bechara’s work was featured in numerous solo and group exhibitions, including the Whitney Biennial and MoMA PS1. His paintings can be found in the collections of institutions like the Metropolitan Museum of Art and the Parrish Art Museum.
MĂłnica RamĂrez-Montagut, the Executive Director of the Parrish Art Museum, described Bechara as a role model for artists and the creative community. His legacy lives on through his vibrant and geometric paintings, as well as his dedication to uplifting fellow artists.
Bechara’s impact on the art world and his commitment to supporting artists will be remembered for years to come. His contributions to the cultural landscape of New York City will continue to inspire future generations of artists.
