The stunning marble statue of Athena, the ancient Greek goddess of wisdom and warfare, is set to make its first public appearance in nearly 260 years at the Wrightwood 659 gallery in Chicago. Acquired by the Halsted A&A Foundation in 2023, the statue had been tucked away in William Weddell’s estate in England since the 1700s.
William Weddell, a British landowner and politician, purchased the statue during his Grand Tour of Rome in the mid-1700s. The statue, a Roman depiction from the first century C.E., features Athena with an owl in her hand, a cloak adorned with a gorgonâs head, and a warriorâs helmet on her head. The statue’s unique provenance includes a head from the time of the Roman emperor Augustus and a body from the reign of Claudius.
The practice of combining parts from different sculptures to create a seemingly intact piece was common in the ancient world, as buyers preferred complete pieces. The Halsted Athena’s left arm and a section between her jaw and chest were carved as new additions to the statue. These ‘pastiches’ tell intricate stories about art, taste, and aesthetics throughout history.
The unveiling of the Halsted Athena coincides with the arrival of 58 pieces from the Torlonia Collection, a collection of ancient sculptures, in North America for the first time. These pieces will be on display at the Art Institute of Chicago’s “Myth & Marble” exhibition.
William Weddell’s journey to Rome to acquire the statue reflects the popular practice of Grand Tours among young British aristocrats during that time. Weddell’s collection of artworks and antiquities from his travels was so extensive that it astonished those around him.
Although Weddell and his contemporaries would have referred to the statue’s subject as Minerva, the Roman goddess, the statue distinctly depicts the Greek goddess Athena. The classical style in vogue at the time emphasized the look of ancient Greek and Hellenistic Greek sculptures.
The public display of the Halsted Athena at Wrightwood 659 offers scholars, students, and visitors the opportunity to study and interpret the statue from various perspectives, including art history, restoration practices, and gender studies. The statue’s emergence from obscurity provides a glimpse into the rich history of ancient art and the cultural practices of the past. The world of finance is constantly evolving, with new technologies and trends shaping the way we manage our money. One of the most recent developments in the financial industry is the rise of decentralized finance, or DeFi.
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