New York City has been a hub of artistic activity in 2025, with new and updated museums, groundbreaking exhibitions, and a vibrant gallery scene. The Studio Museum in Harlem has reopened after a seven-year hiatus, while the Frick Collection has undergone renovations. The city is also eagerly awaiting the opening of a new New Museum.
This year has seen a slew of remarkable exhibitions that are sure to leave a lasting impact on the art world. Amy Sherald’s “American Sublime” at the Whitney Museum of American Art showcases her unique style of American realism and her unwavering commitment to portraying Black subjects in portraiture. The exhibition is a testament to Sherald’s resilience and artistic vision.
Saya Woolfalk’s “Empathic Universe” at the Museum of Arts and Design is a mesmerizing display of colorful, hybridized visual plays that transport viewers to a world of wonder and imagination. Woolfalk’s work merges playful techno-optimism with DIY culture, creating a truly immersive experience that challenges viewers to imagine the future.
Nayland Blake’s exhibitions at the Matthew Marks Gallery offer a multifaceted look at the artist’s work, delving into themes of sexuality, identity, and culture. The installations are provocative, edgy, and thought-provoking, inviting viewers to engage with complex ideas and emotions.
Ben Shahn’s “On Nonconformity” at the Jewish Museum is a powerful exploration of the artist’s commitment to social justice and human rights. Shahn’s work speaks to the injustices of his time, from poverty and xenophobia to censorship and authoritarianism, resonating with contemporary issues and struggles.
Madalena Santos Reinbolt’s “A Head Full of Planets” at the American Folk Art Museum is a celebration of joy and creativity, showcasing the artist’s vibrant wool paintings filled with scenes of daily life and celebration. Reinbolt’s expressive embroidery captures the essence of community and connection, inviting viewers to experience the world through her colorful lens.
Overall, 2025 has been a banner year for art in New York City, with a diverse range of exhibitions that challenge, inspire, and delight. The city’s cultural landscape is richer and more vibrant than ever, thanks to the tireless efforts of artists, curators, and institutions who continue to push the boundaries of artistic expression. This exhibition marks the first museum presentation outside of the Black Brazilian artist’s home country, showcasing the work of Johanna Seidel: Salamander at the Gaa Gallery from December 13, 2024, to January 25, 2025. This exhibition has been long overdue recognition for the talented artist. The gallery has organized a perfect little painting exhibition that immerses viewers in a world that is described as “luxurious, urbane, and elegant,” creating a fairytale atmosphere with a sense of timelessness in each picture.
The paintings showcased in the exhibition branch out in many directions, creating a world for dreamers and those who appreciate art. The intricate details and vibrant colors in Seidel’s work captivate the audience and transport them to a different realm. Each painting tells a unique story, evoking emotions and sparking imagination in those who view them. The exhibition is a testament to Seidel’s talent and artistic vision, showcasing her creativity and skill in each piece.
Visitors to the Gaa Gallery are treated to a visual feast of Seidel’s artworks, each one a masterpiece in its own right. The exhibition provides a rare opportunity for art enthusiasts to experience the work of this talented artist outside of Brazil. Johanna Seidel’s “The third return” and “October” are just a few examples of the captivating pieces on display at the gallery. The exhibition is a must-see for anyone who appreciates art and wants to be transported to a world of beauty and wonder.
Overall, Johanna Seidel: Salamander at the Gaa Gallery is a remarkable exhibition that highlights the talent and creativity of the Black Brazilian artist. The artworks on display are a true reflection of Seidel’s unique style and artistic vision, captivating viewers and leaving a lasting impression. This exhibition is a celebration of art and creativity, showcasing the beauty and intricacy of Seidel’s work to a new audience outside of her home country. The introduction of sugarcane to the jungle brought devastation to the region, altering the landscape and displacing wildlife. The impact of this change was further highlighted in 1985 during the Escalante Massacre, where paramilitary troops killed dozens during a rally commemorating martial law. This tragic event served as a stark reminder of the violence and turmoil that had plagued the region.
In an effort to capture the essence of the earth before it was altered by human intervention, a unique exhibition showcased watercolors mixed with beeswax, abacá pulp, and banana stalk. These materials, combined with Filipino-American ephemera such as posters, created a vivid representation of the natural world. The exhibition aimed to tie together sites of struggle across the Pacific, highlighting the interconnectedness of environmental and social issues.
Another exhibition, titled “Acts of Art in Greenwich Village,” shed light on the significance of the Black Arts Movement through the lens of the short-lived gallery, Acts of Art. Featuring works by prominent artists such as Dindga McCannon and Benny Andrews, the exhibition showcased a diverse range of mediums and themes. From printmaking to sculpture, the artists explored topics such as pan-Africanism, religion, and jazz music, demonstrating the richness and complexity of the movement.
The Guerrilla Girls exhibition, “Discrimi-NATION,” provided a powerful commentary on the art world and its systemic inequalities. Through provocative and impactful artworks, the anonymous coalition of artists challenged viewers to confront issues of discrimination and tokenism within the industry. The exhibition served as a reminder of the ongoing need for activism and advocacy in the art world.
Steve McQueen’s solo show, featuring a mesmerizing two-channel video titled “Sunshine State,” delved into themes of racism and violence. Through a poignant narrative and striking visuals, McQueen addressed the history of racial injustice in Florida, leaving a lasting impact on viewers. The exhibition prompted deep reflection on the legacy of racism and its enduring effects on society.
In “Alexis Rockman: Naples: Course of Empire,” the artist explored themes of human impact on the environment through a series of thought-provoking paintings. Drawing inspiration from Thomas Cole’s iconic work, Rockman presented a dystopian vision of humanity’s future, highlighting the destructive consequences of our actions. The exhibition served as a stark reminder of the urgent need for environmental awareness and conservation efforts.
Finally, Kelly Sinnapah Mary’s exhibition, “The Book of Violette,” offered a glimpse into a fantastical universe rooted in Caribbean culture and history. Through a blend of painting and ceramics, the artist crafted a narrative that drew upon mythology and science fiction, creating a unique and immersive experience. The exhibition celebrated the rich diversity of Caribbean heritage and explored themes of identity and belonging.
Overall, these exhibitions underscored the power of art to provoke thought, inspire change, and shed light on pressing social and environmental issues. Through a diverse range of mediums and themes, the artists showcased in these shows challenged viewers to confront difficult truths and consider the world from new perspectives. Guggenheim Museum, June 8–September 7
Curated by Katherine Brinson
Rashid Johnson’s exhibition at the Solomon R. Guggenheim Museum was a testament to the artist’s ability to provoke thought and reflection through his multidisciplinary practice. With works that spanned painting, sculpture, video, and installation, Johnson created a layered and complex narrative that explored themes of identity, history, and culture. The exhibition was a profound meditation on the nature of creativity and the ways in which art can shape our understanding of the world around us. Through his innovative use of materials and techniques, Johnson invited viewers to engage with his work on a profound emotional and intellectual level.—Aruna D’Souza
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The Guggenheim Museum is currently hosting a career-spanning exhibition from April 18, 2025, to January 19, 2026, curated by Naomi Beckwith, Andrea Karnes, and Faith Hunter. The exhibition features the work of Rashid Johnson, whose use of shea butter as a motif and medium creates a sensory experience for visitors. One of the highlights of the show is a video featuring the artist with his son and father, adding a personal touch to the historical and literary references present in Johnson’s work.
Moving on to the Museum of Modern Art, the Wifredo Lam exhibition titled “When I Don’t Sleep, I Dream” is on display from November 10, 2025, to April 11, 2026. Curated by Christophe Cherix, Damasia Lacroze, and Eva Caston, the exhibition showcases Lam’s fusion of modernist training with Afro-Caribbean culture, resulting in stunning and impactful artwork that speaks to decolonization.
At the Brooklyn Museum, the Seydou Keïta retrospective titled “A Tactile Lens” is open from October 10, 2025, to May 17, 2026. Curated by Catherine E. McKinley and Imani Williford, the exhibition not only displays Keïta’s photography but also showcases jewelry, clothing, and textiles that reflect the fashion history of Mali during its journey to independence. The self-fashioning of Keïta’s sitters and his innovations in studio portraiture are highlighted, offering a comprehensive view of Mali’s cultural and political evolution.
The Museum of the City of New York presents “Activist New York,” an ongoing exhibition curated by Steven H. Jaffe and Sarah Seidman. The exhibition explores the history of social and political activism in New York City, focusing on housing, employment, healthcare, women’s rights, and racial justice. It serves as a reminder of the ongoing need for organized activism to create a more just and equitable society.
In special mentions, The Frick Collection’s reopening is highlighted, featuring expanded galleries, new acquisitions, and a serene environment for art appreciation. The Metropolitan Museum of Art hosts Jeffrey Gibson’s exhibition “The Animal That Therefore I Am,” showcasing regal animals adorned in finery inspired by their natural habitats. Lastly, Iván Argote’s monumental bird statue “Dinosaur” on the High Line reimagines pigeons as the city’s beloved mascots, enchanting viewers with its hyperrealistic depiction.
These exhibitions and installations offer a diverse range of artistic experiences, from personal and historical narratives to social and political commentary, enriching the cultural landscape of New York City. The world of technology is constantly evolving, and with each passing day, new and innovative products are being introduced to the market. One such product that has taken the world by storm is the latest smartphone model from a leading tech company.
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