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American Focus > Blog > Culture and Arts > The Canary in the Turbine Hall
Culture and Arts

The Canary in the Turbine Hall

Last updated: November 13, 2025 6:40 pm
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The Tate Modern in London is currently showcasing a thought-provoking exhibition by Sámi artist Máret Ánne Sara. The installation, titled “Goavve-Geabbil,” is a striking juxtaposition of industrial elements with natural materials, highlighting the impact of energy infrastructures on remote regions like Sápmi, the territory of the Indigenous Sámi people.

Sara’s use of reindeer hides intertwined with electrical cables in the Turbine Hall challenges viewers to reconsider traditional notions of power. The artwork symbolizes the threat posed to the Sámi way of life by climate change and industrial projects, while also suggesting a potential alternative source of power rooted in Indigenous knowledge and ecological wisdom.

The title of the installation, “Goavve,” refers to a weather phenomenon in Sápmi that affects the reindeer’s ability to find food in winter, drawing attention to the ecological challenges faced by the community. Sara’s work emphasizes the importance of embracing Indigenous perspectives and scientific insights to address environmental crises and protect cultural heritage.

Inside the maze-like structure inspired by the reindeer’s nose, visitors can immerse themselves in the sounds and scents of Sápmi, experiencing the richness of Sámi culture beyond visual art. Through storytelling, traditional singing, and subtle sensory elements, Sara invites audiences to engage with Indigenous traditions and ways of knowing.

While some critics have questioned the scale and spectacle of Sara’s installation, the depth of its exploration of interconnectedness and environmental urgency is undeniable. By shedding light on the struggles of the Sámi people and advocating for the recognition of their unique worldview, the exhibition contributes to a growing awareness of Indigenous cultures in Europe and the global dialogue on sustainability.

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As viewers navigate through “Goavve-Geabbil,” they are encouraged to reflect on their own relationship with the natural world and consider the implications of unchecked development and climate change. Sara’s work serves as a poignant reminder of the interconnectedness of all living beings and the urgent need for collective action to address environmental challenges.

The Hyundai Commission: Máret Ánne Sara is on display at Tate Modern until April 6, 2026, offering a transformative experience that invites audiences to engage with Indigenous perspectives and reimagine the concept of power in a rapidly changing world.

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