Clickbait is a term used to describe a tactic where headlines are crafted with provocative flair to entice users into engaging with online content. While many lament its prevalence, the reality is that it remains a popular strategy because it is undeniably effective.
The most notorious form of clickbait is known as rage bait. As the name suggests, this method seeks to provoke outrage among audiences, driving engagement through sheer anger. While this tactic may seem distasteful, it continues to thrive because content that ignites fury tends to garner more interaction than any other emotional response.
This observation sheds light on why some of the most prominent figures in public discourse often adopt a deliberately antagonistic tone. Those who excel at inciting ire tend to gain notoriety, prompting even more temperate individuals to adopt a combative persona. After all, rage is a lucrative commodity.
To understand this phenomenon, itâs useful to reference Sherwin Rosenâs theory on the economics of superstars. Picture the acting profession in the year 1600. Across Europe, a plethora of stage actors existed to meet local demands. The sheer number of actors was necessary because performances could only be witnessed locally â confined to specific theaters at specific times. Consequently, the caliber of performances was heavily influenced by local talent pools. An exceptionally talented actor might be hampered by subpar local troupes, and even a well-traveled actor could only showcase their skills in one location at a time.
As technology advanced, however, actors began to transcend these geographic limitations. With the rise of the film industry, top-tier actors gained access to a global audience, while audiences worldwide could enjoy performances from the best in the business. The same was true for musicians; a few centuries ago, a performer with Bruce Springsteenâs talent wouldnât have achieved his level of success due to a smaller market size. Only those fortunate enough to be nearby would be able to appreciate such skills.
(For the record, I’m not particularly a fan of Springsteen; I merely chose his name at random as a symbol of long-standing success. Feel free to substitute your own favorite artist.)
This technological change led to two significant outcomes. First, the highest levels of success became increasingly concentrated among elite performers. In the past, being just slightly above average in acting ability could secure a stable career, while being significantly more talented wouldnât dramatically enhance oneâs success. In contrast, todayâs global film releases mean that only a handful of actors can cater to a worldwide market. Residents of Wichita, Kansas are no longer limited to local talent; they can experience performances from the finest actors globally. To become a successful actor now necessitates being at the very top of the talent distribution.
Second, at the pinnacle of talent, even minor differences in ability can lead to disproportionate success. If you possess 90% of Anthony Hopkinsâ acting prowess, you wonât enjoy 90% of his career success. Instead, youâre more likely to find yourself with just 10% of his acclaim, while he collects Oscars and cements his legacy, and you land a minor role in a modestly received sitcom.
This dynamic mirrors the situation with rage bait. With the vast reach of the internet and cable TV, content creators face virtually no boundaries in audience size or competition. If Iâm only 90% as incendiary as another content creator, my success wonât scale down proportionately. This creates a perverse incentive for content producers to continually escalate their provocations, as the potential for outrage can be amplified far beyond the constraints faced by actors or musicians.
While this analysis may seem disheartening, a glance at the current media landscape reveals its accuracy. But I pose this question to you, dear reader: does this resonate with your observations? I would love to hear counterarguments or other perspectives!
