The latest edition of the Daily Newsletter from Hyperallergic is filled with intriguing stories and thought-provoking insights. From the unruly politics of glitter to the heartbreaking reality of artists losing their archives, there is something for everyone in this edition.
The article starts with a personal anecdote about face painting at a Brooklyn block party, where glitter became an unexpected yet enduring reminder of community. Francesco Dama delves into the history and significance of glitter in art, highlighting its role in empowering marginalized communities to push back against stereotypes. The visual insistence on visibility through shimmer is beautifully exemplified in Quil Lemons’s photographic series “GLITTERBOY.”
Moving on to the news section, we learn about a powerful public art installation in Brooklyn called the “Wall of Tears,” which lists the names of children killed in Gaza. The mysterious black square covering the Mona Lisa in the Epstein files raises questions about redactions and sensitive victim information.
In the critics’ corner, Joanne Greenbaum’s art is celebrated for its ability to cohere individual marks and shapes into a harmonious whole without losing their uniqueness. The opinion piece by Damien Davis sheds light on the dystopian experience of artists losing their archives, emphasizing the loss of archival authority and the entanglement of preservation with power.
The article also features a callout from Peter Scibetta on Rhea Nayyar’s “Philadelphia Museum of Art Says Goodbye to ‘PhAM’,” and a grant opportunity from the Rubin Museum of Himalayan Art. The ICYMI section showcases Ingrid Hernández’s work revealing the hidden beauty of Tijuana.
Overall, this edition of the Daily Newsletter is a captivating mix of art, politics, and personal reflections. It offers a unique perspective on contemporary issues in the art world and beyond, making it a must-read for anyone interested in cultural commentary and artistic expression.
