Jesse Krimes, an artist who found himself in solitary confinement while awaiting trial for a drug charge in 2009, discovered a way to create art using the limited resources available to him. Despite the challenges of being incarcerated, Krimes utilized soap bars, toothpaste, playing cards, and newspaper images to create a series of artworks that would later become known as “Purgatory.”

The collection of 292 works, collectively titled “Purgatory,” explores themes of criminality and the impact of popular images on power dynamics. By transferring mugshots, photos of celebrities, and other images onto soap bars and playing cards, Krimes sheds light on the complex relationship between society’s perception of criminals and the individuals behind bars.

Currently on display at The Met as part of the exhibition “Jesse Krimes: Corrections,” “Purgatory” is just one example of Krimes’ innovative approach to artmaking. Another notable work, “Apokaluptein: 16389067,” is a massive mural created by transferring newspaper images onto prison bedsheets using hair gel. This thought-provoking piece delves into themes of revelation and mass destruction, offering a powerful commentary on the justice system.

After his release, Krimes co-founded the Center for Art and Advocacy, an organization that supports artists impacted by the justice system. He continues to collaborate with incarcerated individuals, sourcing materials for his artwork and showcasing their creativity and resilience.

At Jack Shainman Gallery, Krimes presents a new body of work titled “Cells,” which features abstract pieces layered with embroideries inspired by microscopic images of cancerous cells. By removing the malignancies and leaving only healthy tissue intact, Krimes symbolically explores themes of redemption and care within the context of the justice system.

Through his art practice, Krimes pays homage to those behind bars, highlighting the creativity and dignity of individuals within the prison system. His work challenges viewers to reconsider their perceptions of incarceration and encourages conversations about reform and rehabilitation.

“Cells” is currently on view at Jack Shainman Gallery, while “Jesse Krimes: Corrections” can be experienced at The Met until July 13, 2025. To learn more about Jesse Krimes and his impactful work, visit his website and explore the powerful narratives woven into his art.