Art Review: Wally Hedrick’s “Sex Politics Religion”
Wally Hedrick, a countercultural San Francisco artist, dedicated his work to antiwar art and exploring the transcendent potential of sex during the era of flower power. His first retrospective in 40 years, titled “Sex Politics Religion,” showcases his provocative and thought-provoking pieces at Parker Gallery and The Box in Los Angeles.
Hedrick’s early paintings playfully satirize Abstract Expressionism and incorporate textual elements to create visual and verbal puns. However, his primary focus is on condemning war and celebrating heterosexual sex as a joyous and spiritual experience. One of his notable works, “A Harry Fallick Production” (1959), cleverly critiques the increasing influence of television in American culture.
As a veteran of the Korean War, Hedrick responded to the Vietnam War’s escalation by painting over some of his existing works in black as a form of antiwar protest. His immersive installation, “War Room,” serves as a contemplative space for viewers to confront their feelings about war through anger or solemn reflection. Hedrick continued to revisit and update this installation in response to subsequent wars, including the Gulf War and the US Occupation of Iraq.
In his art-making process, Hedrick believed in the importance of incorporating elements of art, love, and spirit. Works like “Spirit + Idea #1” (1958) reflect his exploration of the connection between love, sex, and spirituality. Several of his paintings celebrate sex as a metaphysical experience, with pieces like “Danäe” (1980-81) and “Mojo: Electrosex Kit #10” (1979) delving into the mechanics and symbolism of sexual relationships.
For his final painting, “Peace Awakening/WWW.COM (Wiggy with Wings)” (2000), Hedrick pays tribute to his partner and conveys a message of peace and love. Despite his passing over 20 years ago, his message continues to resonate, as seen in contemporary cultural references like Bad Bunny’s Super Bowl halftime show.
“Wally Hedrick: Sex Politics Religion” is a compelling exhibition that showcases the artist’s exploration of taboo subjects and his unique perspective on war, love, and spirituality. The show runs at Parker Gallery and The Box in Los Angeles until April 4, offering viewers a glimpse into the mind of a visionary artist who challenged societal norms and embraced the power of art to provoke thought and inspire change.
