Myriam Wares: The Surrealist Illustrator Layering Themes of Wonder and Intrigue
Myriam Wares, a talented artist based in Montréal, has always had a passion for illustration since she was a child. Drawing has been a part of her life for as long as she can remember, and it has only grown stronger as she transitioned into adulthood. Wares’ work is a blend of various themes, including the natural sciences, technology, mythology, and contemporary social issues, all viewed through a surrealist lens. Her illustrations, which have been featured in publications like The New York Times, Barron’s, and Quanta, invite viewers into mysterious and introspective worlds filled with wonder.
One of the key elements of Wares’ art is her use of dramatic lighting, complementary colors, and the manipulation of scale to create dynamic and engaging scenes that exude warmth. Drawing inspiration from her background in visual art and a keen interest in art history, she weaves together narrative scenes featuring classical sculptures, emotive figures, and captivating landscapes.
For Wares, the language of symbols and visual metaphors is the most natural way to express herself. She enjoys playing with meanings and finding creative ways to visually represent complex ideas. Balancing multiple projects alongside her personal creative work is a constant challenge that Wares embraces. Each new assignment brings its own set of demands and aesthetic nuances, keeping her engaged and inspired.
To see more of Wares’ captivating illustrations, visit her website, Behance profile, and Instagram account. Her work, such as “La retombée (The fallout),” “The Messenger,” and “Making amends in the wake of #MeToo,” showcases her talent for creating evocative and thought-provoking imagery. Whether it’s for a publication like The Verge or Stripe’s Increment Magazine, Wares’ illustrations never fail to captivate and inspire.
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