Exploring Hew Locke’s “Passages” at the Yale Center for British Art
Located in New Haven, Connecticut, the Yale Center for British Art is currently showcasing a thought-provoking exhibition by artist Hew Locke. Entitled “Passages,” the exhibit delves into themes of empire, colonialism, and postcolonialism through a series of striking artworks that challenge viewers to consider the complexities of historical legacies.
Upon entering the grand lobby of the center, visitors are immediately greeted by a trio of ships suspended from the ceiling. These miniature vessels, named “The Survivor,” “The Relic,” and “Desire,” are laden with symbolic cargo that speaks to Locke’s own experiences as a Guyanese expatriate. The ships, weathered and rusted, evoke a sense of journey and survival, carrying with them the weight of history and memory.
Locke, known for his incisive exploration of empire’s symbols and power structures, uses the ships as a metaphor for the complexities of postcolonial identity. Born in Scotland to Guyanese parents, Locke’s personal history informs much of his work, as he grapples with the legacy of colonialism and the struggles for independence.
One of the most striking pieces in the exhibition is “Hinterland,” which depicts a statue of Queen Victoria amidst skeletal figures playing musical instruments. The eerie composition serves as a commentary on the violent history of colonial rule and the resistance movements that sought to challenge it.
Throughout the exhibit, Locke’s intricate artworks invite viewers to reconsider notions of power, authority, and identity. From elaborate disguises in the “How Do You Want Me” series to reimagined public monuments in “Natives and Colonials,” Locke’s work challenges viewers to confront the complexities of history and memory.
One of the most captivating aspects of the exhibit is the “Ambassadors” series, featuring warrior figures adorned with a mix of traditional and contemporary symbols. These figures, astride horses and decorated with skulls, revolvers, and faux gold chains, embody a sense of dark mystery and foreboding.
“Passages” is a fitting title for the exhibition, as it invites viewers to consider the transitions and movements inherent in the postcolonial experience. Locke’s work serves as a reminder of the ongoing journey towards understanding and reckoning with the legacies of empire.
Don’t miss the opportunity to experience “Hew Locke: Passages” at the Yale Center for British Art before it closes on January 11. Curated by Martina Droth, with input from Locke and Indra Khanna, the exhibit offers a unique and thought-provoking exploration of history, identity, and memory.
