The Devil Wears Prada 2: 5 Things We Want to See in the Sequel

Could the sequel to The Devil Wears Prada be the crown jewel of cinematic anticipation for 2026? One might argue, why wouldn’t it be? With its status as an icon of 21st-century pop culture firmly secured, the original film catapulted Emily Blunt into the limelight, granted Anne Hathaway a commercial breakthrough, and forever enshrined Meryl Streep as the quintessential Miranda Priestly. Not to mention, without Stanley Tucci’s Nigel Kipling, the film might have lost its sparkle.

Thus, it’s hardly a shocker that Hollywood seeks to revive this golden era—although the million-dollar question lingers: Can they truly recapture that magic? Watch With Us presents five pivotal elements we hope to witness in The Devil Wears Prada 2.

Miranda Navigating the New Journalism World

Since our first introduction to Miranda Priestly, the formidable editor-in-chief of Runway, the landscape of media has dramatically shifted. The sequel promises to explore how this iconic character grapples with the challenges facing traditional print journalism today—chiefly the decline of print itself. The storyline hints at Miranda confronting Runway’s downturn while facing off against a now-empowered Emily (Blunt), who has successfully climbed the corporate ladder and found herself in a position to provide financial support that Miranda desperately needs.

The erosion of print journalism is a striking reality; monthly reports of layoffs and buyouts seem to emerge with alarming regularity from what were once thriving magazines. Observing Miranda in this new arena will undoubtedly provide insights into both her character and the film’s commentary on our current media climate.

Andy Killing the Game in Her Own Right

By the end of The Devil Wears Prada, Andy had successfully liberated herself from the toxic confines of Runway to embark on an exciting new chapter at a prominent New York newspaper. Judging by tantalizing behind-the-scenes photos surfacing from the sequel’s production, it appears Andy’s career has flourished in the wake of her dramatic exit from the clutches of Miranda Priestly.

Yet, one can’t help but wonder: If Andy is indeed working for a newspaper, does her choice reflect the same struggles that plague Miranda? Speculation abounds that the sequel may borrow plot elements from the 2013 novel sequel, “Revenge Wears Prada: The Devil Returns,” in which Emily and Andy unite as top magazine editors facing Miranda’s unexpected reentry into their lives. Whatever the case, audiences are keen to witness the evolution of Andy’s journey.

A More Mature, Chilled-Out Emily

Emily Blunt’s portrayal of the snobby senior assistant, Emily Charlton, was undeniably memorable, albeit wrapped in a veneer of cruelty. Often depicted as petulant and self-involved, her constant antagonism towards Andy raised eyebrows and tempers alike back in 2006.

Now, nearly two decades later, we are left to ponder whether Emily has shed her former skin to emerge as a more refined and composed version of herself. Is she still that biting assistant we got to know, or has the passage of time mellowed her prickly disposition? Given her ascension to a powerful businesswoman, the possibilities are intriguing—whatever direction her character takes, we know she’ll remain iconic.

Outfits We Actually Haven’t Already Seen

The sheer volume of set photos circulating from The Devil Wears Prada 2 has prompted some criticism even from the film’s costume designer. While it’s delightful to get a sneak peek, the oversaturation of images runs the risk of spoiling what should be a glamorous reveal on-screen. Isn’t the element of surprise part of the allure?

With bated breath, we anxiously await the arrival of dazzling fashion sequences that might remain a surprise. After all, The Devil Wears Prada is fundamentally a celebration of haute couture, and it would be a disservice to the audience if there’s no intrigue left in what fashions to expect.

Less Cruelty Towards Women’s Bodies

The original The Devil Wears Prada is undeniably a product of its time, offering a reflection of some rather unfortunate societal norms. Among these, the mid-2000s saw a spate of negative messaging surrounding women’s body image, with disturbing trends such as “heroin chic” gaining traction. Throughout the film, Hathaway’s character, Andy Sachs, becomes a target of relentless body shaming, summarily criticized for her appearance regardless of her actual physique.

Notably, while the fashion industry is notoriously ruthless, the film often treated such toxic scrutiny as fodder for humor. As we move towards a more enlightened viewpoint, there’s a palpable hope for the sequel to address these harmful stereotypes with far greater sensitivity, illuminating the challenges without exploiting them for comedic relief.