Channing Tatum was ecstatic upon discovering that Kirsten Dunst would co-star with him in Roofman. However, excitement quickly turned to anxiety.
“I usually don’t feel nervous about working with anyone, but that’s Kirsten Dunst,” he confides to Vogue. “I realized I needed to elevate my performance because she’s exceptional. She’s never made a poor choice in her career; it’s all hits.”
Roofman, directed by Derek Cianfrance, who is known for Blue Valentine, adds a significant piece to Dunst’s filmography. The movie is inspired by the true story of Jeff Manchester (Tatum), a convicted robber known as “Roofman” for breaking into McDonald’s by drilling through their roofs, kindly directing the staff into the walk-in freezer, and emptying the cash registers. In January 2005, police captured him, but he later escaped and survived for months in a Toys “R” Us in Charlotte, North Carolina.
Dunst portrays Leigh Wainscott, a single mom and Toys “R” Us worker who forms a bond with Jeff. What begins as a heist tale transforms into an unexpected romantic comedy as Jeff becomes involved with Leigh’s kids and attends her local church, all while disguising his true identity and living in a bicycle display at her workplace. Despite the unconventional beginnings, the undeniable chemistry between Dunst and Tatum compels audiences to root for their relationship.
<p“An actor’s role is to reflect human experience, and she embodies that wonderfully,” Cianfrance remarks about Dunst. “In my eyes, she is unmatched.”
Dunst has evolved from her breakout role in the 1994 film Interview with the Vampire into one of the most adaptable actresses of her generation. (This is the same actress who starred in Dick, The Virgin Suicides, and Drop Dead Gorgeous in the same year.) While Roofman may appear simple at first glance, Cianfrance intricately explores unexpected depth—and humor—within the narrative of a desperate man craving connection, and the woman ensnared in his deceit. (This performance also highlights Tatum’s best work since Magic Mike.)
Photo: Courtesy of Paramount/Davi Russo
As Roofman reaches theaters, Dunst chatted with Vogue about her encounter with the real Leigh, remembrances from Drop Dead Gorgeous, and reuniting with Sofia Coppola.
Vogue: I have to say, my initial thought upon hearing about Roofman was, She better not be relegated to a cliché “girlfriend” role…
Kirsten Dunst: It could have easily gone that way. I didn’t even glance at the script; my team mentioned that Derek wanted me for this film. But playing Leigh wasn’t initially appealing to me.
Why’s that?
I wouldn’t typically aspire to portray “the girlfriend.” However, my desire to work with Derek outweighed any concerns, and once I read the script, I quickly found my footing in Leigh. It also came to me right after filming Civil War and The Power of the Dog, and I hadn’t taken on anything light in a while. My family roots are in Texas, so I felt connected to that feisty Southern demeanor and figured I could channel that.
What did your preparation involve?
The accent was instrumental. Since Leigh isn’t a public figure, I didn’t feel burdened to mimic her exact mannerisms or voice. I collaborated with an accent coach who encouraged me to find an inspiration from North Carolina, so I searched for an interview with Emmylou Harris. While I don’t sound exactly like her in the film, there was something comforting and relatable about her voice. I revisited that interview frequently while filming. Derek also shared a video of Leigh discussing her experience, which further informed my portrayal. Ultimately, my objective was to present the love Leigh felt for Jeff through my performance.
Although I don’t see myself as particularly religious, it was so touching to see how faith is portrayed in the film; it feels like a strong pillar in her life without attempting to convert viewers.
What struck me when I met Leigh is her grace regarding her circumstances. She still communicates with Jeff and harbors fond feelings for him. Although her experience was challenging, with Jeff being the love of her life, her faith has played a significant role in keeping her grounded. For her, Christianity represents love and a sense of community—exactly how it should be.
Photo: Courtesy of Paramount/Davi Russo
What were your thoughts on Derek’s decision to keep you and Channing from interacting before filming, to capture authentic first encounters on camera?
The pressure mounts significantly on your first scene under those circumstances. It’s peculiar to enter a room where you’re suddenly expected to act together! During pre-production, Channing would be nearby, trying on beards while I sneaked glimpses through the door. Derek aims to tweak reality and capture genuine feelings on film rather than rehearsing excessively, fearing the loss of spontaneity and joy.
It seems quite different from a typical movie—your character appears to assert herself by asking Jeff out rather than being swept away by romance.
When Derek reviewed the dailies, he expressed his surprise at how strong Leigh came across. I pointed out that as a single mother managing two teenage girls, toughness is essential. Perhaps she hasn’t dated since her ex-husband, which is why Jeff feels like a rare find in her life.
Photo: Courtesy of Paramount
What role did the actual Leigh play during production?
She visited the set, and I had the pleasure of meeting her. She even has a cameo in the film—I believe she portrays a crossing guard.
I gather that many minor roles in Roofman are played by real individuals associated with Jeff’s story. I also heard you improvised during a scene with the officers interrogating Leigh.
In a phone scene with Channing, the camera focused on him in the car while I filmed roughly an hour of my breakdown as the officers pressed me to assist in capturing Jeff. Unfortunately, that part didn’t make the final cut, as it disrupted the film’s momentum. Derek told me, “Your performance was so strong, Kirsten; it’s unfortunate it’s not in there!” Amazingly, Leigh was on set the day we shot that scene.
What did that mean for her?
It seemed cathartic for her to observe. Typically, individuals involved in a film don’t attend scenes that evoke strong emotions. I was unfazed, but it profoundly affected her. It felt almost destined that she was there; she appreciates the film immensely.
I’m thrilled that it’s being released in theaters. It restores my faith in studios that also produce blockbusters, allowing for heartfelt, mid-range films to shine.
It’s incredible that it was made for $18 million! Compare that to the cost of many indie films that don’t look half as good as what Derek achieved with a smaller budget. This is definitely a family-friendly movie for the holidays. One of my character development methods involves my dreams, and I kept envisioning a Christmas tree during our filming, which inspired me to incorporate a “Christmas take” in my performance.
Photo: Courtesy of Paramount
Like a take sprinkled with a bit of extra holiday cheer?
Exactly! After completing a scene a few times, I’d humorously do a ”Christmas take,” as if I were in a holiday film. Derek even began asking, “Kirsten, ready for your ‘Christmas take’?”
Both Channing and Derek noted your grounded nature, even though you’ve experienced significant fame from a young age.
I wonder why that is? Perhaps it’s because I take my craft seriously while also knowing how to enjoy it, without letting it affect my emotions.
In the context of negative reviews?
Or not securing a coveted role, or feeling inadequate in various aspects, including looks. This industry can be harsh on one’s self-worth. I’ve seen many actors who get lost in their own hype, but I have never considered myself above being humble just because I appear in films.
Can you think of anyone specific who exemplified how a lead actor should conduct themselves?
Transitioning from Interview with a Vampire to Little Women introduced me to remarkable women in the industry. I got to be around inspiring women, like Winona [Ryder] and Claire [Danes]. My collaboration with Sofia on The Virgin Suicides marked a pivotal shift as she treated me like an adult, valuing my perspective. I worked with many fantastic female directors early in my career, so I never went through that phenomenon of trying to impress male directors, although it took me some time to stop seeking external validation.
Photo: Courtesy of Paramount Classics
I admire how your career started in significant mainstream hits like Interview with a Vampire and Jumanji, then shifted to quirky projects like Dick and Drop Dead Gorgeous. What influenced your project’s selections during that phase?
I loved viewing beauty pageants with friends as a teen, which fueled my desire for Drop Dead Gorgeous. The script was exceptional; I found it hilarious and still consider it one of the funniest films ever. I was obsessed with Christopher Guest’s work, and this one seemed to share that vibe.
Did you participate in pageants during your youth?
Not at all! That’s why I wanted to portray a character who did. At that time, I was reading many mediocre scripts, but those standout works like Dick and Drop Dead Gorgeous were ones I actively wanted to be a part of. I chose projects based on personal interest, and I was simply drawn to weird, quirky comedies.
What about Small Soldiers?
That was more a choice based on financial expectation. I find it tedious to work on films lacking substance.
Nothing there meaning…?
Like, “Kirsten, pretend here’s where the soldier is—now act scared.” I find that particularly tedious. I experienced much of that during the Spider-Man movies.
Photo: Courtesy of Columbia Pictures
Have you had the chance to watch the Spider-Man movies that you weren’t in?
No, I haven’t.
Are your children at an age where they’d be interested in your Spider-Man roles?
Not yet, but my four-year-old recently expressed interest in Venom, and I thought “why not?” That was a mistake as he now adopts the Venom voice. It’s not that I don’t enjoy the Spider-Man films; I just don’t feel compelled to watch them. But when I do, I often find them surprisingly good.
Would you consider returning for another superhero movie?
Absolutely! However, I think I’d need to reprise Mary Jane—perhaps as a more mature version. I’ve had discussions about playing different superhero roles, but they tend to see me too closely associated with Mary Jane to consider it.
That would be a unique opportunity for you to explore something unexpected.
The most memorable impression from a superhero movie was Uma Thurman as Poison Ivy. If given the choice, I would love to undertake something like her role.
I would love to witness you tackle a Batman villain.
Exactly! That sounds entertaining. Michelle Pfeiffer’s portrayal of Catwoman was iconic. Let’s make me a villain!
Your appreciation for camp makes sense now—it aligns with the appeal of films like Drop Dead Gorgeous.
I think my taste matured gradually. I enjoyed the quirky aesthetics of John Waters and comedies, but would also watch something profound like Charlotte Rampling in The Night Porter and think, “I want to create something like that! Is Drop Dead Gorgeous available for streaming these days?”
It only just became available on Paramount+, but for a while, it was pretty elusive.
That makes it even more appealing. I love movies that feel rare and special—you have to go the extra mile to discover them.
Photo: Courtesy of New Line Cinema
What was it like collaborating with such an accomplished cast of women?
They were all older than me. In most films I was involved with at a young age, I was the only one actually playing my character’s age. While filming Bring It On in San Diego, everyone else would head to Mexico on weekends as they were in their twenties. Meanwhile, I was residing with my mother and brother, and I really have no clue what the women on Drop Dead Gorgeous were up to; I tended to be quite reserved.
What do you recall about working alongside Brittany Murphy?
She was an absolute joy. Our mothers were acquainted since we crossed paths at many audition spaces; she was older than me. Each time I see a photo or clip of her, my heart aches a little. She was hilarious in the movie.
Did you maintain contact after Drop Dead Gorgeous?
We collaborated again in The Devil’s Arithmetic, but not really outside of that. I adored her, but naturally over time, we drifted. I’ve never had many actor friends—I mostly dated them.
I recently watched The Cat’s Meow for the first time—
Oh wow, that’s a real gem.
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Photo: Courtesy of Lionsgate
It was a blind spot in my exploration of your filmography, and I now feel it may be one of your most underrated roles.
I remember contemplating whether to take that role because Drew Barrymore was originally cast but dropped out unexpectedly. I mostly chose to do it to collaborate with Peter Bogdanovich, though he seemed unfamiliar with my work. I learned that the producers saw me mainly as a marketable choice for drawing in younger crowds due to my history with Spider-Man.
Did Peter make that clear to you?
Not overtly, but it was evident I was seen as a commercial decision rather than a creative one. Initially, his demeanor gave me the impression of being dismissed, but as we wrapped filming, we became quite close. He would often approach me with queries about outfits, hats, etc.
What shifted?
I think once I started performing, he realized Oh, she actually has skill!
Did he don his classic ascots during shooting?
He was always adorned in them! He truly had that vintage flair.
Photo: Courtesy Everett Collection
Were auditions for Elizabethtown part of your experience?
Everyone was auditioning for Elizabethtown. It was a project everyone wanted due to Cameron Crowe’s reputation. I tried for Kate Hudson’s role in Almost Famous, but I was quite young and clearly not suitable. I vividly recall the night before auditioning for Elizabethtown—I went to the movies with my boyfriend and felt so anxious since all my peers were competing.
I gather reaching a point where actors become “offer-only” is common?
People might say they’re “offer-only,” but I believe most would audition, given the right director.
Of course, if Paul Thomas Anderson reached out to you—
I would actively pursue that opportunity! Why not? It’s exciting!
He recommended you to Lars von Trier for Melancholia?
Correct! Originally, Penelope Cruz was up for the part but opted out, leading Paul to suggest me to Lars.
What’s held Paul back from casting you in his projects?
Recently, he attempted to reach me, and we had some communication challenges. I thought he was about to ask me for a role, but instead, he wanted to discuss another actor I had worked with. I almost expressed, “You know that seems rather cruel, right?”
Photo: Courtesy of Paramount
Returning to Elizabethtown, how did you feel about your character being associated with the concept of the “Manic Pixie Dream Girl”?
It did? I had no awareness of that.
In a review by Nathan Rabin from The A.V. Club, the term “Manic Pixie Dream Girl” was coined in reference to your character and Natalie Portman’s character in Garden State.
I’ve never liked that term. It comes off as sexist and somewhat backhanded. Ultimately, it’s frustrating to label someone’s performance with such a tag—the director controls that.
What’s the backstory of that video where you’re seen singing “Turning Japanese” in Tokyo while dressed as Sailor Moon?
My manager Eric contacted me, saying that a pop band had dropped out of a music video for an art installation by Takashi Murakami, and I had to step in. I reluctantly agreed as it was just for the exhibit. I then found it all over YouTube and was utterly mortified. It was intended to be an art piece, but I was naive to think it would stay within that exhibit.
For what it’s worth, you genuinely appeared to be enjoying yourself.
Well, I guess I’m a skilled actress since I felt quite awkward. I adored Sailor Moon as a child, but I didn’t want to ride the subway dressed like that!
Theater hasn’t yet been part of your journey. Would you ever consider Broadway?
Probably later in life, provided I could manage the time commitment. Doing eight shows a week is quite taxing on the voice, and I can’t juggle that while parenting.
Would you lean towards a musical, or strictly a play?
I would prefer a play.
But you have such a lovely singing voice—I adored your musical sequence from Get Over It.
Engaging in eight performances weekly leads to considerable vocal strain. Recently, I had a distressing dream where I was playing Glinda in Wicked, but had no knowledge of the songs, and Mark Ruffalo was coincidentally there.
In a previous interview, the casting director of Mamma Mia! mentioned that there was an audition for you—
I didn’t audition! I have no recollection of singing any ABBA.
Perhaps the casting director confused you with another actress.
I feel I’d definitely remember that. I did audition for Les Miserables, but I’m fairly certain I didn’t audition for Mamma Mia!. However, I would love to see that tape if it exists.
You recently mentioned that Sofia wrote a script for you to lead in shooting next year. While specifics are off-limits, I have three yes-or-no inquiries: will you portray a real person?
Yes, but not someone particularly well-known.
Photo: Getty Images
Is it set in a specific historical period?
Yes.
Will it film in the United States?
Yes. I believe she wouldn’t mind me telling you that.
I wouldn’t want you to face Sofia’s wrath.
Can you imagine? I find it hard to picture her raising her voice. She’s also in the process of writing another script, so we’re not quite at a starting date.
It seems to be an intriguing time in your career—The Power of the Dog, Civil War, Roofman, and your upcoming film The Entertainment System Is Down are all character-driven pieces with distinct directors. What guides your selection of projects at this juncture?
I genuinely want to pursue a comedy next. I’m in a space where I crave light-hearted, enjoyable projects akin to Drop Dead Gorgeous. Simultaneously, my choices will remain director-inspired. If a brilliant director approached tomorrow proposing a role involving a downtrodden character, I’d be eager to take that on. Challenging roles always intrigue me.
This conversation has been edited and condensed.
