The Museo Universitario Arte Contemporáneo (MUAC) in Mexico City recently faced backlash and protests over an exhibition featuring works by Argentine artist Ana Gallardo that contained offensive statements and slurs directed towards older former sex workers. The exhibition, titled “Tembló acá un delirio,” opened on August 10 and quickly drew criticism from activists, artists, and advocates for the sex worker community.
One of the artworks in question, “Extracto para un fracasado proyecto (2011–2024)” (“Extract for a failed project 2011–2024”), featured a text written by Gallardo on a wall at the museum. The text included derogatory remarks about an older sex worker named Estela, referring to her as an “old sick whore.” This sparked outrage among various groups, including Casa Xochiquetzal, a shelter for unhoused former sex workers in Mexico City.
Casa Xochiquetzal sent a letter to the exhibition co-curator denouncing Gallardo’s text, accusing her of disrespecting the residents of the shelter, disclosing personal information without consent, and using misogynistic language. The organization expressed concern over Gallardo’s actions and the use of public funds to support the exhibition.
In response to the controversy, MUAC initially restricted access to the artwork and later decided to remove it from the exhibition altogether. The museum issued an apology to those who were offended by the works, acknowledging the oversight in considering the impact on Casa Xochiquetzal and the broader community of activists advocating for sex workers’ rights.
Activists from groups like Alianza Mexicana de Trabajadorxs Sexuales (AMETS) and LLECA-Escuchando la calle staged protests outside MUAC, demanding respect and rights for all sex workers. The museum faced criticism for its handling of the situation and was accused of perpetuating “whorephobia” and marginalizing vulnerable groups.
In a statement, MUAC and the Universidad Nacional Autónoma de México, under which the museum operates, expressed regret over the offensive nature of the works and emphasized their commitment to addressing violence against women and historically vulnerable groups. The museum announced plans for a public forum to discuss the exhibition and its criticisms, inviting input from those interested in the conversation.
Overall, the controversy surrounding Ana Gallardo’s exhibition at MUAC highlighted the importance of sensitivity and respect in artistic representations, especially when dealing with marginalized communities. The incident serves as a reminder of the need for thoughtful consideration and dialogue in the creation and curation of art that engages with social issues and diverse perspectives.
