In March, artist Michael David shared his plans for an upcoming exhibition featuring the works of Al Held, Elizabeth Murray, Judy Pfaff, and Frank Stella. The exhibition, titled “Painting in Space,” is part of Rail Curatorial Projects’ ongoing series called “Singing in Unison.” The collaboration between David and Rail Curatorial Projects was not initially disclosed, leading to some confusion upon the announcement of the exhibition.
David drew inspiration from the groundbreaking work of Held, Murray, Pfaff, and Stella, who revolutionized the concepts of space, flatness, abstraction, and representation in the 1980s and ’90s. Despite the prevailing trends of figurative art and conservatism during that time, these artists remained steadfast in their pursuit of innovation. David’s decision to bring these artists together for the exhibition was a tribute to their unwavering commitment to their artistic vision.
The exhibition features two large works and two works on paper from each artist, with the exception of an additional small painting by Murray. The DIY nature of the exhibition, organized without institutional or commercial support, reflects the artists’ independent spirit.
Murray and Pfaff’s work exemplifies a blend of innovation and humor, incorporating domestic objects into their art. Held and Stella, on the other hand, explored the relationship between space and flatness in their work, pushing the boundaries of traditional painting techniques. While Held focused on virtual space, Stella experimented with literal space within his paintings.
Murray’s paintings, such as “Flying Bye” and “Making It Up,” feature whimsical abstract forms that challenge interpretation. Held’s “The Seventh Step” creates a sense of depth and perspective within a futuristic setting, inviting viewers to immerse themselves in the artwork. Pfaff’s “Barcelona” pays homage to Catalan culture and artists like Joan Miró, utilizing materials like steel and metal to explore a range of themes.
Stella’s “Zeltweg 3x” showcases his fascination with racing cars, combining precision drafting tools with gestural marks to create a dynamic composition. The exhibition as a whole prompts viewers to consider how space can be represented in geometric and abstract art, with each artist offering a unique approach to the challenge.
“Singing In Unison, Part 12: Painting In Space” is currently on display at Art Cake in Brooklyn until December 7, curated by Michael David. The exhibition celebrates the diverse perspectives and innovative techniques of these four influential artists.
