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American Focus > Blog > Culture and Arts > Nasher Museum’s ‘Everything Now All At Once’ Celebrates Diversity, Resilience, and Joy — Colossal
Culture and Arts

Nasher Museum’s ‘Everything Now All At Once’ Celebrates Diversity, Resilience, and Joy — Colossal

Last updated: May 15, 2026 10:31 am
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Nasher Museum’s ‘Everything Now All At Once’ Celebrates Diversity, Resilience, and Joy — Colossal
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The exhibition Everything Now All At Once at the Nasher Museum of Art at Duke University perfectly encapsulates its name. It features an array of pieces by renowned artists such as Nick Cave, Ai Weiwei, Nina Chanel Abney, and Wangechi Mutu, among others. This collection offers a glimpse into the contemporary art scene where globalism and diversity are key themes, and past experiences shape future artistic expressions.

Notably, the artworks are primarily analog, which stands out in a time marked by rapid technological progress. Despite the era’s digital advancements, the collection emphasizes painting and sculpture, which have traditionally been central to Western “high art.” The Nasher Museum complements these classical genres with depictions of global cultures and people of color, highlighting their historical absence in art. The collection is particularly focused on showcasing joy, resilience, and individuality.

a lightbox artwork by Alfredo Jaar featuring a number of men standing in a row in Lagos, with a sidebar that shows the names of major world metropolises, including several throughout Africa
Alfredo Jaar, “Lagos 2002” (1991), lightbox with two color transparencies, edition 2/2, 66 x 132 inches. © Alfredo Jaar, image courtesy of the artist and Galerie Lelong & Co., New York

The exhibition features pieces from the Nasher’s permanent collection, showcasing its acquisition strategy over the last two decades. This strategy focuses on iconic works from artists with historically marginalized backgrounds. Visitors can admire works like Jeffrey Gibson’s notable beaded punching bag series and Amy Sherald’s vibrant portraits, which bring attention to voices that have been significantly underrepresented in art history.

Running since August 2025, Everything Now All At Once will introduce new pieces to the exhibition next month and will continue until November 1 in Durham, North Carolina.

a painting by Nicolas Lambelet Coleman of two men standing at a tennis net with their rackets
Nicolas Lambelet Coleman, “We Don’t Sweat in These Clothes” (2024), oil on canvas, 51 3/16 x 39 3/8 inches. © Nicolas Lambelet Coleman. Photo courtesy of the artist
an abstract sculpture by Barbara Chase-Riboud with faceted bronze forms on the top and rope-like silk toward th bottom
Barbara Chase-Riboud, “Malcolm X #5” (2003), polished bronze and silk with steel support, 76 1/2 x 29 x 27 inches. © Barbara Chase-Riboud, photo by Peter Paul Geoffrion
Installation view of 'Everything Now All At Once' with a large central sculpture and paintings surrounding it
Installation view of ‘Everything Now All At Once’ at the Nasher Museum of Art at Duke University, Durham, North Carolina
a sculpture by Jeffrey Gibson using a repurposed punching bag that is beaded with geometric patterns and the phrase
Jeffrey Gibson, “I PUT A SPELL ON YOU” (2015), repurposed punching bag, glass beads, artificial sinew, and steel, 40 x 14 x 14 inches. © Jeffrey Gibson, photo by Peter Paul Geoffrion
a photographic portrait by Ruben Natal-San Miguel of a Black man with long hair and a chest tattoo that reads
Ruben Natal-San Miguel, “Priceless (Anthony), Astoria Queens NYC, 7/10/15 77 Degrees 6:40PM” (2015), Kodak Endura fine art lustre-finish medium archival print, edition 1/2, 30 x 30 inches (76.2 × 76.2 cm). © Ruben Natal-San Miguel
Xaviera Simmons, “Session Six: Kitty Hawk” from the project ‘Thundersnow Road, North Carolina’ (2010), chromogenic print, edition 1/3, 40 1/8 x 50 x 1/8 inches. © Xaviera Simmons, courtesy of the artist and David Castillo, Miami
Installation view of 'Everything Now All At Once' with two paintings
Installation view of ‘Everything Now All At Once’ at the Nasher Museum of Art at Duke University, Durham, North Carolina
a painting by Wangari Mathenge of a Black woman wearing colorful, fashionable clothes, seated in an interior
Wangari Mathenge, “The Ascendants XIV (She is Here)” (2021), oil on canvas, 85 x 64 inches. © Wangari Mathenge, 2021. Courtesy of the artist and Roberts Projects, Los Angeles

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See also  Reviving Tsimshian Weaving With Threads of Community
TAGGED:CelebratesColossaldiversityJoyMuseumsNasherResilience
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