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American Focus > Blog > Entertainment > Olivia Nuzzi’s ‘American Canto’ Rollout Is a Disaster
Entertainment

Olivia Nuzzi’s ‘American Canto’ Rollout Is a Disaster

Last updated: December 4, 2025 2:55 am
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Olivia Nuzzi’s ‘American Canto’ Rollout Is a Disaster
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Olivia Nuzzi, a former Washington correspondent, found herself in a new role as a subject of scandal after her alleged affair with Robert F. Kennedy Jr. This shift from reporter to subject has been a challenging adjustment for Nuzzi, as she navigates her newfound notoriety and plans her return to public life with the release of her quasi-memoir, “American Canto.”

However, Nuzzi’s transition to the spotlight has not been smooth. While her book marks a departure from her previous writing style, it falls short in delivering the uninhibited disclosure expected from someone in her position. Nuzzi’s refusal to fully embrace the spirit of shamelessness, coupled with the cryptic and self-flattering nature of “American Canto,” has left critics unimpressed.

In a twist of fate, Nuzzi’s ex-fiancé, Ryan Lizza, has also found himself embroiled in a similar career pivot. Accusations of professional misconduct and strategic storytelling have become the focal point of Lizza’s new venture, a subscription-based newsletter on Substack. His ability to attract attention through sensationalism contrasts with Nuzzi’s more reserved approach, highlighting their shared struggle in navigating their newfound roles.

Lizza’s serialized accounts, filled with lurid details and cliffhanger endings, have garnered significant readership, showcasing his proficiency in the art of storytelling. In contrast, Nuzzi’s reluctance to delve into specifics and her unwillingness to fully engage with the narrative have been met with criticism and disappointment.

The shortcomings of “American Canto” have been widely documented, with critics highlighting its lackluster reception and pretentious tone. Nuzzi’s attempt to distance herself from branding efforts only serves to undermine her credibility further, as her self-serious persona clashes with the reality of her situation.

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As Nuzzi and Lizza continue to navigate their evolving careers, it becomes apparent that their path forward lies in embracing their roles as influencers rather than traditional journalists. In a media landscape that values personal brands and sensationalism, their journey serves as a cautionary tale for those seeking to monetize their stories at the expense of credibility.

Ultimately, Nuzzi and Lizza’s saga reflects a broader dilemma in media, where the line between reporting and self-promotion becomes increasingly blurred. As they grapple with their new identities, it becomes clear that embracing their roles with authenticity and gusto may be the only way forward in a world governed by spectacle and personal ambition.

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