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American Focus > Blog > Culture and Arts > John Singer Sargent’s Essence in a Brushstroke
Culture and Arts

John Singer Sargent’s Essence in a Brushstroke

Last updated: January 5, 2026 5:30 pm
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Art Review: John Singer Sargent’s “Dazzling Paris” at Musée d’Orsay

The recent exhibition at the Musée d’Orsay, titled “John Singer Sargent: Dazzling Paris,” offers a glimpse into the artist’s time in the city from 1874 to 1884. Despite spending a significant amount of time in Paris, Sargent’s artistic engagement with the city is not overtly evident in his work. The exhibition, curated by Caroline Corbeau-Parsons, Paul Perrin, and Stephanie Herdrich, showcases a collection of Sargent’s works that are linked to his Parisian period.

The exhibition opens with a focus on Sargent’s early days in Paris, during his apprenticeship in French painter Carolus-Duran’s studio. The contrast between his academic drawings from Florence and his oil study “A Male Model Standing before a Stove” demonstrates Sargent’s versatility and technical prowess. The exhibition also features studies he made during his travels to Madrid and the Netherlands, where he drew inspiration from artists like Diego Velázquez and Frans Hals.

Sargent’s ability to capture life with precision and economy of brushwork is highlighted in the exhibition. His works, such as “Rehearsal of the Pasdeloup Orchestra at the Cirque d’Hiver,” showcase his mastery of brushstrokes and composition. The exhibition also includes his famous portrait of socialite Virginie Amélie Avegno Gautreau, known as “Madame X,” which caused a scandal at the Salon in 1884.

The exhibition at the Musée d’Orsay aims to showcase Sargent’s painterly abilities and his impact on Parisian society during the Belle Époque. While Sargent may not be explicitly aligned with Paris in his works, the exhibition celebrates his talent and contribution to the art world. “John Singer Sargent: Dazzling Paris” is a testament to the artist’s skillful brushwork and his ability to capture the essence of his subjects.

See also  Robert Redford’s Final Performance: ‘Dark Winds’ Showrunner John Wirth Remembers How the Star’s Cameo Came Together

The exhibition runs at the Musée d’Orsay until January 11 and is a must-see for art enthusiasts and fans of John Singer Sargent’s work. Don’t miss this opportunity to experience the brilliance of Sargent’s paintings and his unique perspective on Parisian society.

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