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American Focus > Blog > Entertainment > ‘Gone’ Review: A Sharp BritBox Drama 
Entertainment

‘Gone’ Review: A Sharp BritBox Drama 

Last updated: July 23, 2026 7:00 am
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‘Gone’ Review: A Sharp BritBox Drama 
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Writer George Kay has proven his expertise in crafting mysteries, as demonstrated by the success of his Netflix series “Lupin” and his Apple TV drama “Hijack,” particularly its first season. His latest project, the crime drama “Gone” on BritBox, is loosely based on the true crime novel “To Hunt A Killer” by Julie Mackay and Robert Murphy. This series highlights Kay’s skills in creating suspense and tension. Initially presented as a mystery drama, “Gone” gradually evolves into a story of obsession, emotional shortcomings, and the dreadful actions men might resort to when denied their desires.
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Set in Bristol, England, “Gone” begins at a rugby match at St. Bartholomew private school. The headmaster and coach, Michael Polly, portrayed by David Morrissey, remains stoic as his team scores the winning goal. After the game, Michael and his 25-year-old daughter, Alana (Emma Appleton), who also teaches at St. Bartholomew, return home. Michael reprimands star player Dylan Sedgwick (Billy Barratt) for unsporting behavior. The Polly family has been residing on the school grounds for decades, in accommodation provided for the headmaster.
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However, this evening is different. Michael’s wife, Sarah (Hollie Bailey), a music teacher, is missing. Her reading glasses and a cold cup of tea are left in her office, and her phone goes unanswered. The next morning, Alana becomes anxious and urges Michael to report Sarah as missing. Detective Sergeants Annie Cassidy (Eve Myles) and Becky Hammond (Jennifer Macbeth) first meet Michael when he arrives at the Redland Police Station to report Sarah’s disappearance. Michael’s cold demeanor during questioning raises Annie’s suspicions, suggesting he may be concealing something.
​
Annie and Becky initially categorize Sarah as a low-risk missing person and proceed to St. Barths for a formal interview with Michael and Alana. As they investigate, Annie takes on the role of the family’s liaison, monitoring them closely while trying to unravel Sarah’s disappearance. As time passes, Alana becomes more distressed, while Michael isolates himself, avoiding law enforcement and continuing his usual routine.
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Despite her role as a liaison, Annie begins to understand the true nature of the Polly family, realizing their public image contrasts with their reality. Their deep connections to the school reveal more details, such as the tension between Michael and Dylan and Alana’s secret relationship with fellow teacher Paul Whitchurch (Nicholas Nunn). Additionally, Annie grapples with her own challenges, including a 20-year-old cold case of a missing friend and the reappearance of her estranged husband, Detective Inspector Craig Stanhope (Peter McDonald), in her life. Despite his volatile nature, Annie struggles to resist rekindling their romance.
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“Gone” reaches its conclusion in just six episodes, unveiling the truth about Sarah Polly’s fate. The series deliberately casts suspicion on various people within Sarah’s circle, not just Michael. As secrets are gradually exposed, the series maintains a tense pace, keeping viewers engaged. Annie’s search for the truth reveals the multifaceted nature of violence and the often horrifying outcomes of its most insidious forms.

See also  Women Lead the Way in Flanders TV Production Despite Setbacks

The first three episodes of “Gone” debut July 23 on BritBox, with the remaining episodes airing weekly on Thursdays.

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