Stop-motion animation has always been a labor-intensive process, but directors Jack Cunningham and Nicolas Ménard of Eastend Western have taken it to the next level with their latest project. Instead of the traditional method of creating subtle movements frame by frame, they have opted for replacement animation for their new anthology, TRIPLE BILL.
Replacement animation, popularized by George Pal in the 1930s and ’40s, involves creating unique models for each movement. While Pal used wooden characters, Cunningham and Ménard have chosen to use 3D-printed figures for their project. TRIPLE BILL consists of three short films, each lasting under two minutes, exploring different genres to showcase the atmospheric potential of the technique.
The first film, “BLUE GOOSE,” is a western that satirizes social media, featuring a giant cowboy statue that comes to life. To achieve the simple act of walking across the set, eight distinct models were necessary. The second film, “CLUB ROW,” is a film noir about data privacy with an endlessly spinning staircase. The final film, “MYTHACRYLATE,” delves into the internal battles we face.
Behind the scenes, each model had to be meticulously crafted, sanded, and painted before being placed in position. According to Ménard, elements like lighting, sound, and camera angles were crucial in conveying emotion in TRIPLE BILL. The films envelop viewers in a mesmerizing critique of technology and its impact on society.
For a peek behind the scenes and more of Eastend Western’s work, check out their Vimeo page. If you enjoy this technique, you may also appreciate the intricate bears on stairs animation.
Support independent arts publishing by becoming a Colossal Member today. As a member, you can enjoy benefits like ad-free browsing, saving your favorite articles, a discount in the Colossal Shop, exclusive newsletters, and the opportunity to give back by supporting art supplies in K-12 classrooms.
