The Anatomical Venus, a medical training tool from the early 1780s, is a fascinating yet unsettling creation. This waxen model, adorned with real human hair and pearls, presents a realistic appearance. However, upon closer inspection, the figure can be opened to reveal internal organs and systems. The juxtaposition of beauty and sensuality with its educational purpose creates a discordant experience for modern viewers.
Artist Jessica Stoller explores this dissonance in her sculpture “Seeing Red,” comprised of over 150 ceramic objects. The sculpture features oversized white orbs overshadowing a pink base, with fragmented body parts, seashells, leaves, and other elements scattered throughout. The work challenges societal norms by separating the female form into distinct parts, questioning who has the right to control their own body.
Stoller’s art often incorporates human anatomy with traditional ceramic techniques, as seen in works like “Untitled (close up #3)” and “Untitled (sugar still life).” These pieces blend delicate aesthetics with unsettling imagery, such as purple bruises and skeletal hands hidden among confections. Through her bold and provocative compositions, Stoller confronts stereotypes and historical injustices surrounding the female body.
Stoller’s solo show “Split,” on display at P·P·O·W in New York until April 5, showcases many of these thought-provoking works. By challenging patriarchal ideals and embracing the unconventional, Stoller’s art highlights the power and complexity of the female form. Visit Stoller’s Instagram for more insights into her compelling artistic practice.
