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American Focus > Blog > Entertainment > How ‘Blue Eye Samurai’ Director Jane Wu Reinvented Animation Pipeline
Entertainment

How ‘Blue Eye Samurai’ Director Jane Wu Reinvented Animation Pipeline

Last updated: November 5, 2025 4:30 am
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How ‘Blue Eye Samurai’ Director Jane Wu Reinvented Animation Pipeline
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Jane Wu’s journey from a fashion designer to directing one of Netflix’s most acclaimed animated series, “Blue Eye Samurai,” is a testament to her unconventional path in the entertainment industry. Her fusion of cultures and disciplines has defined her work and led to a successful career in Hollywood animation and live-action filmmaking.

Born in Taiwan and immigrating to the U.S. at a young age, Wu’s passion for storytelling was ignited by reading comic books in her family’s comic book store. Despite starting with what she calls “the worst portfolio,” she landed her first animation job at Sony and quickly transitioned from cleanup work to character design and storyboarding. Wu’s talent and dedication led her to work on projects like “Men in Black” and Marvel films, eventually culminating in her involvement in “Shang-Chi and the Legend of the Ten Rings,” Marvel’s first Asian-led superhero film.

When Netflix approached Wu to direct an animated series, she initially declined but reconsidered when she learned it was for adults. This decision led to the creation of “Blue Eye Samurai,” a show that became one of the first to be produced 100% remotely due to the COVID-19 pandemic. The international collaboration that ensued brought together talent from around the world, showcasing Wu’s ability to work with a diverse team.

“Blue Eye Samurai” was designed around the concept of fusion, blending Eastern and Western elements inspired by the show’s biracial protagonist, Mizu. Wu’s martial arts training and cultural authenticity were essential in creating a series that resonated with audiences globally. She emphasized the importance of cultural interpretation and authenticity while acknowledging the show’s Asian American perspective.

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Teaching French animation studios and Chinese stunt teams about Japanese culture presented challenges that Wu met head-on, ensuring accurate representation and movement in the series. The success of international shows like “Squid Game” and “Shogun” demonstrated the growing acceptance of international content among American audiences.

Looking ahead, Wu’s focus remains on character-driven storytelling and ensuring that the story drives the production pipeline. Her innovative approach to hiring diverse talent like character designer Brian Kesinger showcases her commitment to telling compelling stories that resonate with viewers.

As “Blue Eye Samurai” Season 2 is set to premiere in 2026, Jane Wu’s journey and success serve as a testament to the power of perseverance, cultural fusion, and storytelling in the entertainment industry.

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