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American Focus > Blog > Culture and Arts > KAWS Makes Art for the Tech Bro Era
Culture and Arts

KAWS Makes Art for the Tech Bro Era

Last updated: November 24, 2025 11:20 pm
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KAWS Makes Art for the Tech Bro Era
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SAN FRANCISCO Museum of Modern Art Showcases KAWS: Family Exhibition

The San Francisco Museum of Modern Art is currently hosting an exhibition titled KAWS: Family, featuring the works of American artist Brian Donnelly, known by his pseudonym KAWS. The exhibition is marked by a giant inflatable sculpture on the museum’s roof, drawing attention to the cartoonish skull-and-crossbones head that characterizes KAWS’ iconic style.

Donnelly’s journey as an artist began in the 1990s New York City graffiti scene, where he gained recognition for altering bus stop advertisements with his signature skull and crossbones motif. Over the years, he transitioned into branding, striking merchandising deals with fashion labels and toy companies. Recently, his artwork has reached new heights, with paintings fetching up to $14 million at auctions.

KAWS: Family is a comprehensive exhibition that includes large-scale sculptures, paintings, drawings, and merchandise from collaborations with brands like Nike, MTV, and General Mills. The show highlights Donnelly’s signature characters, such as “Companion” and “Chum,” which feature a skull-and-crossbones head on various pop culture bodies.

Installation view with KAWS, “Family” (2021)

Despite the exhibition’s focus on commercial partnerships and branding, critics question the depth of KAWS’ work and its lack of commentary on pop culture or capitalism. The show presents a fusion of familiar forms, from towering sculptures to plastic blister pack paintings, alluding to mass production and consumerism.

One notable series within the exhibition, titled Kimpsons, features paintings presented in plastic blister packs reminiscent of action figures. Additionally, Donnelly’s collaboration with General Mills resulted in a line of cereal boxes displayed in the gallery.

The rise of “red-chip” art, appealing to tech and finance elites, is evident in KAWS’ work and its popularity among collectors. The exhibition fails to delve into the critical questions surrounding this trend, instead treating KAWS as a contemporary art fixture.

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KAWS and IF & Co., “Untitled (Space Chain)” commissioned for Kid Cudi (2021)

While the exhibition is expected to draw large crowds and generate revenue for the museum, critics raise concerns about the prioritization of commercial success over artistic integrity. The show’s emphasis on merchandise and brand collaborations reflects a broader trend of art as a commodity in the contemporary art market.

As the museum caters to tourists and tech elites, the underlying message of KAWS: Family seems to be that art’s true potential is overshadowed by commercial interests. The exhibition serves as a stark reminder of the intersection between art and commerce in the modern art world.

Despite these critiques, KAWS: Family continues to be on display at the San Francisco Museum of Modern Art until May 3, 2026. The exhibition, originally organized by the Art Gallery of Ontario, offers a glimpse into the evolving landscape of contemporary art and its relationship with consumer culture.

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