The Iberseries Co-Production & Financing forum stands as a pivotal opportunity for filmmakers, producers, and creators across Ibero-America and Europe. This distinguished initiative focuses on fiction, documentary, and animated projects in the advanced stages of development. By fostering a collaborative atmosphere, the forum aims to support high-quality productions and ignite strategic partnerships among industry professionals on both sides of the Atlantic.
Selected teams will reap the benefits of customized one-on-one meetings with potential co-producers, sales agents, distributors, financiers, and digital platforms.
Continuing its growth, Iberseries & Platino Industria forges global connections through alliances with esteemed festivals and markets such as Blood Window, FICCI, Rio2C, BIF Market, and Seriencamp. Such partnerships enable high-caliber projects to participate in the Forum as special guests, paving the way for new international co-production and distribution opportunities.
More than merely a pitching venue, this Forum functions as a vibrant hub for cultivating joint ventures and monitoring emerging creative and business trends within the Ibero-American audiovisual landscape.
The diverse selection this year includes projects from Spain, Portugal, and Latin America, alongside contributions from Romania, Italy, Germany, Canada, and the U.K., among others.
The 11 series projects invited to the Forum reflect a range of storytelling styles, aiming for impact both domestically and globally. They encompass everything from gripping noir thrillers to poignant dramedies, innovative hybrid docudramas, and even bold adult animation. Some projects distinguish themselves by pedigree—like a thriller based on João Tordo’s celebrated novel—or through their unique concepts, such as a Buenos Aires apartment transformed into a marriage experiment or a down-and-out TV axolotl orchestrating a comeback.
A List of the Projects in the Forum:
FILM
“Accounts” (“Los relatos,” Miguel del Arco, Spain, Romania)
Twenty years after his wife’s murder conviction sends him to prison, Pablo returns home as his biography is released. As director Miguel del Arco notes, “The film interweaves multiple perspectives to explore themes of gender violence, social reintegration, and collective memory post-crime.” Currently in production, it is being jointly produced by Aquí y Allí Films, 3040 Cine, and Avanpost.
“Cabildo 71” (Victoria “Pitoka” Peña, Uruguay, Spain, Brazil)
Inspired by the groundbreaking 1970 escape of Tupamaro prisoners, the story follows political prisoner La Parda as she partakes in a clandestine yet audacious plan for the largest women’s prison break in history. Produced in collaboration with Monarca Films, Vitrine Filmes, and Boulevard Filmes, this project is currently in financing and has garnered selection at Iberseries, Cine Qua Non Lab, and FRAPA. Starring Brazil’s remarkable Maeve Jinkings, Peña describes it as “an intimate lens on resistance.”
“Closed for Mourning” (“Cerrado por Duelo,” Darío Mascambroni, Argentina, Italy, Chile)
This dark comedy-drama presents a tale of a fatal accident, a faked suicide, and a family unraveling as two men spiral toward tragedy. Advanced in its development, it has the backing of Jaque Content, The Piranesi Experience, and Juntos Films and has been selected for EAVE Puentes, Berlinale Talents, and Iberseries. Mascambroni describes it as “A ruthless, absurdist take on family as battleground.”
“Disposable” (“Desechable,” Carlos Gómez-Salamanca, Colombia, Spain)
An animated revenge thriller where a biochemist-turned-junkie transforms into an assassin named El Colibrí to confront corruption after losing his beloved dog. Described by Gómez-Salamanca as “a brutal, hallucinatory journey through violence, grief, and resistance,” this project is a co-production between Jaibo Films and Nocroma Estudio and is currently under production, supported by ICAA, FDC, TVE, and the ECAM Incubator.
“Holy Relief” (“Santo Alivio,” Maritza Blanco and Iván Onatra, Colombia)
Set within a convent in early 19th-century, this provocative erotic comedy centers around cloistered nuns discovering that self-pleasure is the most effective treatment for the afflicted soldiers. Producer Maritza Blanco, of Dessu Prods, deems it “a transgressive film that humorously confronts us with both socially taboo and uncomfortably pleasurable themes,” with filming projected for the first half of 2027.
“It Was Her Idea” (“Fue idea de ella,” Lucas Mirvois and Azul Lombardía, Argentina, Spain)
In advanced development, this narrative follows a couple whose aspirations for parenthood and career success take a turn as they attempt blackmail against a neighbor. The resulting awkward friendship stems from a freak accident. Producer Lucas Mirvois of La Maldita highlights its unique blend of domestic spying with heartfelt comedy.
“Lux Noctis” (Maligno Gorehouse, Mexico)
Set in a matriarchal society that survives the darkness through light, Lina’s forbidden love skews traditional rituals. Producers Javier Sepúlveda and Eduardo Lecuona explain, “Lux Noctis is a groundbreaking genre piece in dystopian folk horror… It reflects a wordless, desolate existence that reminds global audiences that hope flourishes even in darkness.” Planned filming is set for summer 2026.
“Off Balance” (“Tiempo fuera,” Pedro Levati, Twins Latin Films, Amada Contents, Argentina)
Following the inheritance of a modest basketball club after her husband’s death, Sofía embarks on a journey that intertwines dance and sport towards self-discovery. “It captures a sensitive, humorous journey with extensive appeal,” remarks Silvina Dell’Occhio of Torneos.
“Sunward Hell” (“Ruta al Sol,” Jorge Leyva, La Tuerca Films, Mexico)
Confronting an ominous pagan while questioning her faith, a preacher’s group ventures into a horror thriller territory wherein evil could trigger final judgment. Targeted at filming in early 2026, it has already captured two awards at Ventana Sur.
“The Infinite Life” (“La vida infinita,” Marina Seresesky, Spain)
Four years abiding her son’s disappearance, a grieving parent traverses Latin America, suspecting his reincarnation to surface. Producers indicate “Her journey challenges her beliefs, marking a profound transformation.” The project seeks co-production partnerships and benefits from Spanish tax incentives.
“The Jump Into the Void” (“El salto al vacío,” Oriol Gispert and Toni Comas, Spain, Germany)
This docu-fiction hybrid investigates the tragic tale of Yelena Miróshina, the Russian diver with a silver medal in the 1992 Olympics, who met a mysterious demise three years later. “Exploring the psychological consequences faced by elite athletes is paramount,” asserts Oriol Gispert.
“The Legend of Don Juan Manuel” (Black Sheep Productions, Spain, Mexico)
A historical thriller focused on an aristocrat who conducts a chain of murders in 1637 Mexico City, utilizing his privilege to escape justice. Producer Mónica Aguirre reveals that “The project juxtaposes gripping history with psychological depth.”
“There is No Surf in Mars” (“No hay surf en Marte,” Hernán Zin, Spain, Brazil)
The series follows the life of a war correspondent, incorporating real-life experiences from multiple conflict zones, wrapped around a doc-fiction narrative aiming for authenticity. Currently being planned for shooting in Lanzarote, with Zin expressing his yearning to pivot into comedies post his immersive documentary work.
“What Does Mom Want Now?” (“Y ahora que quiere mamá?,” Ani Alva Helfer, Kapow Producciones, Del Barrio Producciones, Argentina, Peru)
In development with an expected shoot in early 2026, this drama revolves around Christmas dinner where Martha, aged 72, announces her separation after learning of her husband’s affair. “Ani Alva Helfer uniquely captures the threads that shape the lives of Latin women,” remarks executive producer Diego Ventura.
TV
“A Remarkable Woman,” (Anastasiia Starova, U.K., Canada)
A fusion of Slavic intensity and British humor unfolds in Belle Époque Paris through the lens of the first influencer. Dubbed “Fleabag” in a corset or “Emily in Paris” à la Proust, the series promises a feminist narrative with a Gen-Z flair.
“Columbus: Myths and Origins,” (“Colón: mitos y orígenes,” Sergio Guerrero Garzafox, US/Spain, Mexico)
A four-part docudrama seeks to unravel the enigma of Columbus’ true identity through DNA evidence and investigative journalism, reigniting an age-old debate with cinematic vigor.
“Couple’s Apartment,” (“Departamento de casados,” Azul Lombardía & Lucas Mirvois, Argentina)
This 8×30 dramedy delves into the little miseries of marriage through the lens of three couples renting the same Buenos Aires flat, leading to chaos, regrets, and a deeper understanding of love.
“Freeloaders School,” (“Escuela de gorrones,” Horacio Alcalá, Spain, Belgium, Mexico)
A comedic venture following a crew infiltrating wealthy parties until a crisis erupts when an heir collapses, leading to moral and ethical dilemmas that challenge their survival instincts.
“La Negra Dominga,” (Mónica Dopico, Spain)
A tense thriller about a Colombian hitman who ventures to Spain for vengeance, intertwining with local inspectors in a vicious chase that highlights trauma and corruption.
“Malena, the Lead,” (“Malena, la protagonista,” Sebastián J. Fracini, Argentina, Uruguay)
An Argentine comedian spins a bittersweet dramedy about her life, portraying the trials of rejection and resilience as she embarks on a narrative based on herself but denied the opportunity to play her role.
“Mars,” (“Marte,” Víctor Vidangossy, Chile)
A young woman’s aspiration to become an astronaut becomes entangled with her investigation into her mother’s death and her quest for her estranged father, set against the stark beauty of Atacama Desert.
“Past Waters,” (“Águas Passadas,” Bruno Gascon, Portugal, Spain)
Taking to Lisbon’s gritty underbelly, a detective hunts down youthful killers while facing her own buried traumas, assisted by a hermit from Spain.
“Patagonia: What Paradise Hides,” (“Patagonia: Lo que Esconde el Paraíso,” Julio Jorquera, Spain, Chile, Germany)
This thrilling drama showcases a mother’s agonizing search for her vanished son within the breathtaking landscapes of Patagonia, confronting dark secrets that lie beneath its paradise.
“Romané,” (Juan Ignacio Sabatini, Chile)
A contemporary take on Vicente Sabatini’s iconic telenovela from the early 2000s that re-explores themes of migration and gender power through the character of Jovanka Antich, adding layers of modern relevance.
“Saturday Sabadete,” (“Sábado Sabadete,” Alex Rey, Spain)
An adult animation series where a once-popular axolotl entertains plans for a comeback, inspired by the local pop culture while tackling issues of celebrity and partnership.
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