On September 18, just outside the grand interior of St. Patrick’s Cathedral in Manhattan, a flock of journalists gathered at an empty podium in anticipation of Archbishop Timothy Dolan’s remarks. In the wake of escalating anti-immigrant rhetoric in the national sphere and significant deportations, the historic cathedral was poised to affirm the dignity of immigrants through the inauguration of the largest commissioned artwork ever installed in this storied Neo-Gothic edifice.
The artwork, titled “What’s So Funny About Peace, Love, and Understanding” (2024–5), is an expansive 12-panel mural conceived by artist Adam Cvijanovic, celebrating the contributions of immigrants and their descendants in New York City. The unveiling marked the culmination of extensive nighttime installations by dedicated teams who transported Cvijanovic’s vibrant panels from his studio in the Brooklyn Navy Yard. Interspersed among the diverse immigrant figures depicted in the mural are prominent figures from New York City’s Catholic history, all gazing upwards, some towards the altar of the cathedral. This significant piece, entirely funded by private donations, is set to be formally dedicated during a Mass on Sunday.
As Cardinal Dolan, who governs one of the world’s largest urban Catholic communities—overseeing 2.5 million Catholics in the Archdiocese of New York—approached the podium, artist Adam Cvijanovic stood humbly to the side. Despite his modest demeanor, the striking presence of his 25-foot-tall murals in the background challenged visitors to confront their preconceived notions about immigration.
“The issue of immigration has always held significant importance for the church, but it seems particularly urgent today,” Dolan stated. “Some people have asked, ‘Are you trying to make a statement about immigration?’ My response is that, fundamentally, immigrants are children of God.”
Adam Cvijanovic, whose father immigrated from Serbia, expressed his astonishment at collaborating with the Archbishop for this impactful project. Even though he won the commission prior to the Trump administration, he noted that the recent wave of immigration policies brought renewed attention to his work. “What gives me immense joy is witnessing diverse individuals stepping into this mural and feeling a sense of belonging,” Cvijanovic shared with Hyperallergic.
The Catholic Church has long advocated for reform in immigration policies, and recently, bishops nationwide have condemned the sweeping deportation strategies employed by the Trump administration. Cardinal Dolan has risen as a prominent figure advocating for acceptance, speaking out against “blanket attacks” on immigrant communities, including instances of ICE arrests in places of worship.
The mural, which greets visitors between the entrance and exit of the cathedral, holds special significance, attracting as many as six million visitors annually. Cvijanovic incorporated into the mural the historic 1879 Apparition of Knock, which saw 15 individuals report witnessing visions of the Virgin Mary. Significantly, this event coincided with the same year that St. Patrick’s Cathedral was consecrated, symbolizing resilience and hope.
The artwork features gold leaf strips framing a representation of the Lamb of God, a sacred symbol of Jesus, positioned above an assembly of immigrants from various backgrounds. In this interplay, children are depicted seated on contemporary luggage or cradled by their guardians amidst a mosaic of iconic Catholic figures seamlessly integrated into the scene. One panel specifically highlights the contributions of notable figures such as the Cuban priest Venerable Félix Varela y Morales and St. Frances Xavier Cabrini, America’s first recognized saint.
Another component of the mural showcases diverse individuals, featuring Kateri Tekakwitha, the first Native American saint canonized for her compassion and dedication to caregiving. The mural also honors Servant of God Dorothy Day, who co-founded the Catholic Worker Movement in 1933, reflecting the church’s enduring commitment to social justice.
An entire panel pays homage to first responders from varied backgrounds, while another panel commemorates Irish and Italian immigrants dressed in heritage attire.
Cvijanovic created his characters based on real-life models, including family members of his Catholic wife from New Jersey, even humorously noting that the lamb featured in the artwork also originates from New Jersey.
“If you had told me years ago that I would one day be the rector of Saint Patrick’s Cathedral, I would have never believed it,” remarked Very Reverend Enrique Salvo, who hails from Nicaragua. He emphasized the mural’s role as an inspiration, signaling to all visitors that they are not only welcomed but also invited to take an active role in contributing to the community.
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