Art Review: Squeak Carnwath’s “Goddess of All” Exhibition
Renowned artist Squeak Carnwath challenges the conventional belief that paint, as a medium, is limited in its creative potential. In her latest exhibition, Goddess of All, hosted at Jane Lombard Gallery, Carnwath showcases her distinctive approach to painting that defies traditional boundaries.
Despite being a prominent figure in the art world, Carnwath’s work has often been overlooked by major institutions such as the Whitney Museum of American Art and the Museum of Modern Art. This neglect can be attributed to her unapologetic commitment to the legacy of oil painting and her refusal to conform to popular artistic movements.
The exhibition features 11 square paintings, ranging in size from 36 by 36 inches to 77 by 77 inches, all created using oil and alkyd on canvas mounted on panel. Carnwath’s paintings are characterized by recurring motifs such as LP records, sinking ships, classical busts, and abstract patterns, each carrying symbolic significance.
One notable addition to Carnwath’s repertoire in Goddess of All is a motif consisting of three black silhouettes representing different archetypes of women — from aspiring dancer to powerful ruler. These silhouettes serve as a poignant commentary on societal expectations and stereotypes.
Each painting in the exhibition tells a unique story, blending elements of past, present, and future. In “Ancestors and Future Ghosts” (2023), Carnwath divides the canvas into two distinct sections, juxtaposing historical references with contemporary imagery. The painting serves as a visual exploration of identity and heritage.
Another compelling work, “Ancient Fragments” (2025), features a collage of Roman busts, goddesses, and intimate moments captured in bold red outlines. The painting invites viewers to reflect on the passage of time and the enduring power of human connection.
Through her art, Carnwath navigates the complexities of the modern world, grappling with themes of autonomy, self-expression, and societal change. Despite the chaos that surrounds her, Carnwath finds moments of order and beauty in the act of painting.
Goddess of All is a testament to Carnwath’s unwavering dedication to her craft and her ability to transcend artistic conventions. The exhibition is on display at Jane Lombard Gallery until February 28, offering viewers a glimpse into the mind of a truly visionary artist.
