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American Focus > Blog > Culture and Arts > Tavares Strachan’s First Monograph Surveys an Encyclopedic Practice — Colossal
Culture and Arts

Tavares Strachan’s First Monograph Surveys an Encyclopedic Practice — Colossal

Last updated: June 6, 2026 1:40 pm
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Tavares Strachan’s First Monograph Surveys an Encyclopedic Practice — Colossal
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Tavares Strachan is an artist whose vast interests and varied approaches have led to the creation of an encyclopedia, one of his most notable works. Published in 2018, this 2,400-page volume features 15,000 entries on people, events, and places significant to our history but not covered by the Encyclopedia Britannica. This unique book-sculpture challenges the narratives we commonly accept.

Hailing from Nassau, Strachan is a prominent conceptual artist today. His first monograph, released this month by Phaidon, explores his extensive body of work over the years.

a collage with images of owls, crosswords, jet magazine, queen elizabeth and more
“Every Tongue Shall Confess” (2023), oil, enamel, pigment, and acrylic on two panels, 213 x 213 centimeters

Strachan’s work frequently addresses themes of colonialism and historical omissions, while also engaging with contemporary and future issues like climate change and space exploration. These themes inspired him to establish the Bahamas Aerospace and Sea Exploration Center (BASEC) in 2018. In the same year, BASEC launched a 3U satellite into a three-year solar orbit, highlighting the story of Robert Henry Lawrence Jr., the first African-American astronaut in a national space program.

The monograph’s release aligns with Strachan’s exhibition, The Day Tomorrow Began, at The Pizzuti in the Columbus Museum of Art in Ohio, running until January 3. Strachan sees book creation as part of a historical tradition of sharing knowledge. “When you make a book, you are participating in this very long historic lineage of bookmaking and sharing information,” he says, noting the spiritual link between presenting work in person and in print.

Copies are available at the Colossal Shop.

a black titled sculpture of a person riding a horse with a mirrored scene upside down
“In Praise of Midnight (Christophe × Napoleon)” (2025), resin and steel, 485 x 345 x 155 centimeters
an installation in a dark room of a barber shop
“The Barber Shop” (2025), performance, installation, dimensions variable. Installation view at the Los Angeles County Museum of Art
a ship with a black star on it
“Black Star” (2024), aluminum, fiberglass, steel, painted wood, 543 x 1210 x 200 centimeters. Installation view at Hayward Gallery, London
an aerial view of the artist's studio
a photo of the artist in his studio
Tavares Strachan, Isolated Labs, New York, 2025. Photo by Jason Schmidt
the cover of Tavares Strachan's monograph

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See also  Amoako Boafo Weaves His Portraiture into an Architectural Replica of His Accra Studio — Colossal

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