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American Focus > Blog > Culture and Arts > The Cruelty of American Curatorial Silence
Culture and Arts

The Cruelty of American Curatorial Silence

Last updated: December 3, 2025 11:15 pm
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In the world of art and culture, there is often a perception that curators hold a position of authority and influence. However, in recent times, many curators have been criticized for their silence on political issues, particularly when it comes to speaking out against fascism. This raises important questions about the role and responsibilities of curators in society.

The year 2025 has been a challenging one for the arts in the United States, with federal funding cuts, censorship demands from the government, and ongoing issues of immigration and border control. Despite these pressing issues, many curators have remained silent, failing to take a stand against the rising tide of fascism in the country.

In a recent conversation with artist Rachel Hakimian Emenaker, the idea of the visual pain absorbed by visual arts professionals on a daily basis was discussed. The normalization of violence and cruelty in the media has led to a desensitization to these images, which in turn affects the way we perceive and interact with art.

The question arises: why are curators not as politically active as artists? What privileges or barriers exist within the curatorial field that prevent curators from speaking out against injustice and oppression? While artists in Los Angeles and beyond are taking a stand for immigrants and marginalized communities, curators seem to be lagging behind in their activism.

Curators like Erika Hirugami and Dr. Meranda Roberts are calling for a more proactive and vocal approach from their colleagues. They emphasize the importance of using the tools of visual analysis to counterbalance the visual horrors of the current administration and to uplift marginalized narratives within institutional spaces.

See also  An Unfinished History of the Antichrist 

The role of curators in shaping public discourse and challenging existing power structures is crucial. By remaining silent on political issues, curators risk perpetuating systems of oppression and erasing the voices of those most affected by fascist ideologies.

In conclusion, it is time for curators to step up and use their platforms to advocate for social justice and equality. Political silence is not an option in the face of rising fascism and human rights abuses. Curators must embrace their role as cultural leaders and champions of inclusivity, empathy, and resistance. Only by taking a stand can curators truly fulfill their ethical and moral obligations to the communities they serve.

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