Weekly Newsletter: The Marquis de Sade of the Upper East Side
Ramadan Mubarak and Happy Lunar New Year! This week’s newsletter delves into the dark and twisted connections between the infamous Marquis de Sade and the modern-day figure of Jeffrey Epstein. Despite being glorified for his transgressive art, de Sade was a rapist who reveled in torture and abuse. Similarly, Epstein, a supposed math genius, was involved in heinous acts that were shielded by his wealthy and powerful connections. Ed Simon’s insightful essay draws parallels between the corrupt aristocracies of the past and the troubling revelations of today’s world.
In addition to this thought-provoking piece, we highlight Aruna D’Souza’s critique of wall labels in exhibitions, Seph Rodney’s analysis of representation politics in art, Bridget Quinn’s exploration of Finnish painter Helene Schjerfbeck, and Renée Reizman’s tribute to the DIY ethos of the Los Angeles art community.
Join us on March 2 for a virtual conversation with artist and Hyperallergic contributor Damien Davis. We’ll discuss his recent essays, studio practice, and his perspectives on the art world. It promises to be an engaging and enlightening discussion.
Latest News:
– Graduate students at the University of North Texas stand in solidarity with artist Victor “Marka27” Quiñonez.
– The foundation of Gilbert Baker, creator of the Pride flag, sues the Trump administration over flag removal at national parks.
– A federal judge orders the restoration of historical slavery exhibits in Philadelphia’s President’s House site.
– The British Museum updates its Middle East Galleries amidst accusations of erasing Palestinian history.
– Brooklyn Navy Yard evicts a drone manufacturer following protests against their controversial contracts.
Member Event:
Join us for an online conversation with Damien Davis on March 2. Become a member today to participate in this insightful discussion.
From Our Critics:
– Seph Rodney explores the Bronx Museum’s biennial and the aspirations it represents.
– Bridget Quinn reflects on the self-invention of Finnish artist Helene Schjerfbeck.
– Sarah Bond discusses the importance of recognizing polychromy in museum displays.
– John Yau delves into the dreamlike drawings of LA-based artist John Altoon.
Opinion:
– Renée Reizman challenges the perception of LA’s art scene as a mere outpost of New York.
– Denva Gallant uncovers a rare manuscript illustration that redefines Blackness and love.
– Aruna D’Souza critiques the politics of exhibition wall texts.
These are just a few highlights from this week’s newsletter. For more in-depth articles, art reviews, and opportunities for artists, writers, and art workers, visit our website. Stay informed and engaged with the latest news and insights from the art world.
